Among the new features of the newly announced Fujifilm X100T is something they call the “Classic Chrome” film setting. Technically this is not a debut, having already been announced on the X30 earlier this summer.
But I think it’s a sleeper feature, and will prove to be one of the growing list of reasons Fuji users tend to connect so strongly with their cameras. Read more…
Color film first burst onto the scene in 1935 when Kodak introduced the world to Kodachrome, and the first of this film that was available to the public was the 16mm variety for home movies. Later, Kodak introduced similar 8mm and 35mm film for home movies and photography, respectively, but it was the 16mm film that had finally offered consumers the ability to easily capture their world in color for the very first time.
The above video is a rare clip released by the Romano Archives that shows what French tourist Jean Vivier was able to capture using the 16mm film all the way back in 1939, when he came to visit the Big Apple. Read more…
In 2009, when Kodak announced that production of Kodachrome film would be coming to an end, legendary photographer Steve McCurry saw an opportunity, and asked if the company would give him the final roll. Given his reputation and the many famed photographs he’s taken on Kodachrome, it’s no surprise Kodak said yes.
As a tribute to this final roll, a crew from National Geographic decided to follow McCurry and document the momentous last 36 frames that would ever be shot on that film — the video above is the result. Read more…
Like everyone else who heard that Kodak was discontinuing Kodachrome in 2009 — and that Dwayne’s Photo would not develop the slide film after 2010 — I shot as much Kodachrome film as I could acquire, before that “last developing day” deadline. Read more…
The final nail in the Kodachrome coffin came at the end of 2010 when the last lab that processed the film, Dwayne’s Photo in Parsons, Kansas, ceased its support. In Kodachrome’s final years, every roll sent to Kodak for processing from around the world was sent to Dwayne’s. This mini-documentary created by Xander Robin offers an interesting glimpse into Kodakchrome processing at Dwayne’s Photo before it came to an end.
New York-based design consultancy Mélangerie helps customers make custom View-Master wedding invitations that display photos in full-color Kodachrome. All they need are 7 high-res photos and a short snippet of text for each one. They’re pretty pricey though: 100 invites will set you back $3450.
DreamWorks won’t be making a movie about the death of Kodachrome film after all — Fox will. Turns out the director of the movie, Shawn Levy, had a first look deal with Fox that gives the film studio first dibs on Levy’s projects.
It was the result of an honest error [...] producers initially brought the pitch to Fox 2000, which passed. Believing that represented due diligence under Levy’s Fox pact, producers next went to DreamWorks, which went for it (though sources say no money changed hands).
But 20th Century Fox caught wind of the deal, decided it ultimately liked the project and, citing its deal with Levy, yanked it back onto its development slate, where it stands today. [#]
The film is rumored to be about a father and son who take a road trip to process their final Kodachrome rolls before development ends.
Kodachrome may be gone, but it’s far from forgotten — DreamWorks is planning to make a movie centered around the closing of the final Kodachrome lab in Kansas. Author Jonathan Tropper got the idea for the movie after reading an article about the film’s demise in the New York Times, and pitched the idea to the studio. His script involves a father-son road trip in which they attempt to reach the lab and process their Kodachrome rolls before their memories are lost forever. Shawn Levy is being named as the potential director for the movie.
Kodachrome film officially died at the end of last year when the last developer — Dwayne’s Photo Service — stopped accepting the film. Before that final nail in the coffin was pounded in, 53-year-old Jim DeNike drove from Arkansas to Dwayne’s in Kansas to have 1,580 rolls developed. The total cost for the 50,000 slides? $15,798. All of the photographs were of trains.