They say the devil is in the details, and boy is that ever true when it comes to creating an easy-to-navigate photography website. In the video above, The Slanted Lens‘ Jay P Morgan and Adelaide Lawren sit down and talk you through 6 tips that will help you get one of the most important parts of that site squared away: the contact page. Read more…
Posts Tagged ‘jaypmorgan’
From Jay P. Morgan of The Slanted Lens comes an educational and behind the scenes video out of Yanks Air Museum in Chino, California. Throughout the video, Morgan gives insight into the process of using a tilt-shift lens and shares some nice background information on how a tilt-shift lens actually works. Read more…
If you’ve ever wondered when, or how, or why you might use a ring light or ring flash, this short lighting tutorial from The Slanted Lens should help you answer all of those questions. In this case, Jay P. Morgan was shooting for Zombie Juice soda and he took the opportunity to explain why he chose to use a ring flash, some of the disadvantages of ring flashes, and how he supplemented it to get the perfect shot.
Admittedly, lighting tutorials are pretty common these days; but when it comes to a subject as vast as proper lighting in the studio, more info can’t hurt. This 10 minute tutorial from The Slanted Lens by Jay P. Morgan runs you through the differences between octaboxes/octadomes and the traditional softbox, when it might be beneficial to use one over the other, and how to choose the proper octabox lighting setup to fit your needs. All pretty useful info if you ask us.
Here’s a helpful tutorial by Jay P. Morgan of The Slanted Lens on how to mix strobe light with sunlight to make photographs more interesting.
Photographer Jay P. Morgan made this informative walkthrough showing how he shot a photograph that combines artificial light with the evening sky:
[…] its a simple street light or a full on city scape this process works. We shot a scene for Pilot Freight Services using this method and got great results. We shot our background plate of the bridge and city lights and combined it with a shot done later of the truck.
It’s not exactly a project you can do by yourself, but the concepts he explain can be applied to your nighttime photography.
We were going to shoot several shots that would need to freeze him in mid air as he kicked the ball. We had limited time with him so it was necessary that things were planed out and ready to go when he arrived. We took two Hensel speed max heads that have the fastest flash duration of any mono block head available. The goal was to use them as our key lights and freeze his action in mid air. We shot background plates the day before at the ruins outside of Mexico City for him to be retouched into. The idea being famous soccer players in action shots at different iconic sites of Mexico. [#]
A video walkthrough of the post-production can be found over on Facebook.