Back in 2010, Lee Morris set out to prove that you don’t need expensive camera gear to be a photographer by doing an entire fashion shoot using an iPhone 3G; while people were impressed, many nevertheless said that the use of professional studio lighting and post-processing negated the point he was trying to make.
In the above video, photographer Nick Fancher followed in Morris’ footsteps by also doing an entire fashion shoot on an iPhone, only he used nothing more than a reflector and the in-phone editing capabilities of Snapseed and Adobe Photoshop Express for all of his lighting and post processing needs. Even the models, make-up artists, and assistants were all working for trade, meaning that Fancher didn’t spend a single cent on the shoot itself. Considering all that, the results are pretty impressive.
Slow-motion video is usually the territory of expensive equipment like the Miro M120. Alternatively, if you’re not looking to shoot professionally, you can always take the video you capture on your phone or regular camera and slow it down, but the results are usually choppy and (sadly) nothing you’d want to broadcast on YouTube. Fortunately, there is another way; iPhone videographers who own the 4S now have a free, fun alternative in a new app called SloPro. Read more…
Framed is a beautiful and creative short film about a photographer taking pictures in the woods when he encounters something unexpected. French filmmaker Mael Sevestre filmed the entire thing using an iPhone 4S and built a custom rig for recording footage through the old twin lens reflex camera seen in the film.
If you thought our Leica iPhone skins are geeky, check out this new case made by the Japanese brand Gizmon. It gives your iPhone a fake rangefinder-style body that isn’t entirely useless: the case’s shutter button actually takes pictures and the optical viewfinder can be used to compose shots. Additional features include a lens mount, a tripod socket, and camera strap holes. Read more…
A couple days ago it was discovered that iPhones, iPods, and iPads running iOS 5 have a secret panorama mode that’s hidden in the operating system. The feature can be enabled, but featured either a jailbroken device or knowledge in how to edit a particular iOS 5 preference file. Luckily for non-hackers, Redmond Pie has discovered an easy way to do this by taking advantage of iTune’s backup feature. This tutorial will teach you how to get the panorama feature unlocked in 5-10 minutes. Read more…
Earlier today we shared an interesting video comparing 1080p video shot with the iPhone 4S with footage from a Canon 5D Mark II. Here’s another short video demonstrating the quality of the new f/2.4 lens and Sony-made sensor, created by photographer and filmmaker Benjamin Dowie. He says,
Got an iPhone 4S yesterday and got up this morning to go for a surf. No surf, so thought I’d shoot some stuff to see what the new camera is like on the 4S. Got home, looked at the footage, and couldn’t believe it came out of a phone. Was so excited so thought I’d quickly cut a vid to share the goodness.
It’s actually amazing. The automatic stabilisation seems to work wonders, and gets rid of most the jello. Depth of field is flipping awesome. Colours are really good straight out the camera, but I did give this footage a slight grade. [#]
For a comparison of the cameras found on the latest smartphones, check out this smartphone camera showdown published by Engadget today.
Here’s a test comparing the 1080p HD video recording capabilities of the iPhone 4S and the Canon 5D Mark II. Vimeo user Robino Films shot the same scenes at the same time with both cameras using a special rig, and then synched the footage together. They also tried to match the exposure, shutter speed, frame rate, and picture style as much as possible.
One of the main reasons Apple has been so successful as a tech company is its focus on usability. Even as competitors’ smartphones screens are approaching tablet screen sizes, Apple has stuck with 3.5-inches — an optimal size for operating the phone with one hand. John Gruber of Daring Fireball just published his review of the iPhone 4S today, and writes that Apple focused on speed as one of the main improvements featured in the iPhone 4S camera:
The most profound difference between the 4S and 4 cameras has nothing to do with image quality. It’s that you don’t have to wait nearly as long. That closed iris comes up for a moment and then it’s gone, and you’re ready to shoot. And after you shoot, the camera is ready to snap additional photos almost instantly. The difference is huge, and it’s especially nice in conjunction with iOS 5’s new lock screen shortcut to jump right into the Camera app.
I spoke to some friends familiar with the development of iOS 5 and the 4S, and word on the Cupertino street is that camera speed — time from launch to being able to snap a photo, as well as the time between subsequent photos — received an enormous amount of engineering attention during development. The stopwatches were out, and every single tenth of a second that could be shaved was shaved.
I wonder whether compact camera manufacturers spend as much effort shaving tenths of a second off their cameras’ startup and in-between-shot times. They’ll want to now.
Apple has just announced its new iPhone 4S, and the new camera found on the phone is pretty impressive. It packs an 8MP (3264×2448) CMOS sensor that’s backside-illuminated, allowing it to gather 73% more light and capture images 33% faster. The lens is now an f/2.4 lens that contains 5 separate elements, which provide 30% more sharpness. Snapping a first shot now takes 1.1 seconds, and subsequent shots require only an addition .5 seconds each.
In terms of video, the iPhone 4S records 1080p HD video with image stabilization and noise reduction. The company is saying that the phone will be the best still and video camera many customers have ever owned.