Leica recently put out this short portrait of renowned street photographer Joel Meyerowitz, who talks about his beginnings as a photographer and also his role in creating an archive of the destruction and recovery at Ground Zero. Starting from a few days after the 9/11 attacks, Meyerowitz shot over 8,000 in and around the site with the help of a special workers pass that gave him privileged access.
Editor’s note: This is a piece by photographers Bryan Formhals and Blake Andrews on how famous photographers’ styles are copied over and over again. Please do not read or comment if you take things too seriously.
DEVELOP Tube is a video channel on YouTube and Vimeo that’s geared towards photographers and curated by NYC-based photographer Erica McDonald. Each channel features interviews, profiles, lectures, and films about photography that are carefully selected from each website.
One of the most important things I’ve learned during my ongoing adventure as a small-town, self-employed photographer is that nothing is more important than the relationships I’m building. So when I decided sometime last year that I was going to do a 2012 promo I wanted to create something that looked elegant, something that the recipients could be a part of and most importantly, something that could start building long-lasting relationships. Read more…
Rusidah Badawi lost her forearms in a tragic accident 32 years ago at the age of 12. After the amputation, the 44-year-old Indonesian woman was introduced to photography through a vocational rehabilitation centre for the handicapped. She immediately fell in love with it, and began a career working as a wedding and party photographer. Working primarily with film photography up until 2010, she switched over to digital when Canon sponsored her endeavors by gifting her with a digital Canon 550D DSLR and a Speedlite flash. Read more…
[...] I am not trying to convey messages. I take photographs to affirm reality, not explain reality and that reality often has a high level of ambiguity to it, which is subject to interpretation. So what one viewer discovers in a given image may be very different from what another viewer discovers. This particular photograph seems to suggest to you something about corporate culture, but another viewer might simply be amused by the similarity of be-suited figures and another viewer might find something else. I believe in photographs that have a level of ambiguity, images that work on suggestion, that ask questions rather than provide answers.
The Photo Society has published an interesting article in which Kent Kobersteen, the Director of Photography at National Geographic magazine from 1987 to 2005, shares thoughts on what he looks for in photographers:
[The required] attributes are intellect, passion, maturity and drive.
Reading this, you may say “What about the photography?” Of course any person under consideration must be a great photographer. The National Geographic needs photography that is strong aesthetically and has a sophisticated use of color, photography that is poetic, journalistic, memorable, and comes from unique and intuitive seeing. But, that’s obvious, that’s a given.
All four of these attributes – intellect, passion, maturity, drive — ARE about the photography.
Kobersteen also states that he would choose “a photographer whose eye was not the best, but who worked very hard, rather than the person with the best eye in the world, and who was lazy.”