Google+ is becoming pretty popular among photographers as a way to share work and connect with others. If you’ve been thinking about jumping in but don’t know where to begin, Scott Kelby and Co. made this helpful (and free) hour-long primer with tips on how to use the service effectively.
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Photographer Zack Arias has written up a lengthy and insightful post detailing how he goes about updating and editing his portfolio:
Here begins the process of lining up your children and, ummmm, figuring out which ones you love more than the others. This begins the painful process. It’s painful to not only choose but if you are a true creative this is the part where your self doubt, anxiety, and loathing start to show up. You come back to your BIG edit and it all sucks.
The images that you want to shoot are not in this folder. They are still out in the world waiting for you to capture them. As you start to go through 1,000+ of your “best” images they all begin to suck. You want to trash them all and just go shoot a new book. Well sorry Charlie, you can’t do that. You can’t go shoot a new book. Those elusive images are just that… elusive. You have to harden yourself during this process and realize that you are building a body of work with what you have to work with. If you ever say “I’ll just do this when my work is ready” then you will never do it. That kept me from this process for a long time. Kick the demons out of your head and get to work.
Arias recommends that you should go through this process at least twice a year, as it will show you holes in your body of work that you can then go out and fill.
Editing Your Portfolio [Zack Arias]
Photographer Tony Wu constantly receives requests that ask whether he would be willing to work for free in exchange for “credit” and “exposure”. Instead of a lengthy response explaining why he doesn’t want to work for free, Wu often leaves the emails unanswered, or worse, ends up sending snippy responses that he later regrets. He recently came up with the idea of writing a generic and informational response that all professional photographers can respond with.
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Photographer duo Joachim Guanzon and Marden Blake (AKA aesonica) created this short behind-the-scenes video showing how they recently shot and Photoshopped an Audi A4 photo for a print advertisement. You can read a longer how-to over on the aesonica website:
The goal is to make it look as if you had 20+ lights, grids, flags and reflectors to shoot your project. There is nothing better than hearing someone ask how many lights were needed to create your shot and revealing that you used only one. The trick is by doing something that could realistically be done with enough equipment and lighting skill, with only one light.
On the other hand, if you get too carried away, there is nothing worse than someone asking if you used Photomatix to compile your HDR garbage shot followed by “My 13 year-old has that program too!”
Recently we shared similar on how you can do composite lighting on homes and on an airplane.
Photo enthusiast Robert Simpson created this informative behind-the-scenes video detailing how he created a composite photograph showing tiny children running along a bookshelf. Although a ton of planning and preparation went into the shot, everything was done at home on a small budget rather than in a fancy studio. This may inspire you to dream a little bigger using your current resources.
(via Fstoppers)
This great video lesson by San Francisco-based interior photographer Scott Hargis teaching how to compose shots when photographing the interiors of homes. Stepping into the scene itself like Hargis does is a great way to teach composition.
Here’s an illuminating (pun intended) video walkthrough by photographer Eric Curry, showing how he went about creating a photo of a B-25 bomber. His technique for lighting the plane is similar to the real estate photography walkthrough that we featured last weekend, and involves lighting the scene a bazillion times from different angles, and then combining the different parts of the photo in Photoshop.
As he says in the video, it’s a useful technique that can be done by “anyone with a digital camera and a tremendous amount of patience.”
(via fotografia)
For her husband’s 40th birthday, Jen had the idea of turning an old, unwanted globe into a unique photo gift showing “his world”. She printed photographs onto white tissue paper, and then adhered the photographs to the globe using Mod Podge. Head on over to her site for a step-by-step walkthrough.
My Husband’s “World” [By Jen]
Here’s a quick and easy tutorial that’ll teach you a cool method of transferring a photo print (black and white or color) onto a block of wood.
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If printing your film photos with the usual chemicals isn’t old school enough for your taste, you should try your hand at making a salt print. Photographer Andrew B. Myers made the above print using the technique, and explains,
Salt printing is one of the oldest processes photography has employed, pioneered by Henry Fox Talbot back in 1839. The process hasn’t changed much since then. Basically, you start by coating paper in a solution of water and sodium chloride (I ended up using table salt) and letting it dry. Next, in a darkroom environment, a silver nitrate solution is applied to the salted paper, creating a light sensitive emulsion. Let it dry. At this point, a contact print can be made by sandwiching a film negative or some sort of transparency and letting the paper sit in the sun. In my case, I had access to a powerful UV light with a timer, which worked in a similar fashion, and allowed me to work at night in the winter. It’s quite neat seeing the image once it’s been exposed, and after washing and fixing, you’re done. [#]
You can find a more in-depth tutorial over at Dulce Photography, or browse some more sample salt prints in this Flickr group.
(via Photojojo)
Image credit: Photograph by Andrew B. Myers and used with permission
