Posts Tagged ‘hdslr’
We’ve seen quite a few wired and wireless DSLR controller options in our day — ranging from the creative DIY variety to the cool but expensive type — but we’ve never seen one that looks quite like this. The newly announced K-Circle from LockCircle looks like something Iron Man would use if he were into photography — assuming he shot Canon, that is.
It’s mind-blowing what can be created these days using ordinary DSLRs, a small team of people, and a whole lotta skill with visual effects. The short film above, titled “Grounded“, was emailed in to us by its creator Kevin Margo, who works as the visual effects supervisor at Blur Studios. He says that it was inspired by his father, who passed away from cancer. Here’s the synopsis:
One astronaut’s journey through space and life ends on a hostile exosolar planet. Grounded is a metaphorical account of the experience, inviting unique interpretation and reflection by the viewer. Themes of aging, inheritance, paternal approval, cyclic trajectories, and behaviors passed on through generations are explored against an ethereal backdrop.
It was shot using a Canon 5D Mark II for 24fps footage, a Canon 7D for 60fps footage, and the Canon 24mm, 50mm, and 135mm prime lenses. The software used in post include Vegas, PFtrack, Zbrush/Vray/Max, Fusion, and AE/MagicBullet.
Don’t worry Canon 5D Mark III shooters: Canon didn’t forget about you after all. Less than a week after announcing a highly-requested firmware update to the Canon 1D X to address AF complaints, Canon has revealed that a similar — but even better — update is also coming to the Canon 5D Mark III.
The upcoming firmware update will not only add support for cross-type AF using lens/extender combos with a max aperture of f/8, it’ll also allow for clean uncompressed HDMI out!
Last month we wrote that DSLR blog EOSHD had learned from at least one Canon rep that the upcoming 1D C cinema DSLR was essentially a 1D X with tweaked firmware. This would mean that the 1D X is also capable of 4K video with “no heat or bandwidth issues.” However, that claim is now being challenged by Canon Rumors, which writes that the cameras do in fact have some important hardware differences as well.
Thinking about recording video with your Canon DSLR? stillmotion put together this short video with 5 lens recommendations based on their video production experiences over the years. One recommendation is the 24-105mm f/4 IS “kit” lens that comes bundled with higher-end Canon DSLRs. This lens allows you to have image stabilization at the wide end (24mm), perfect for tight spots in which you can’t bring bulkier stabilization systems.
Nikon officially unveiled the D3200 today. The new HDSLR — which is the successor to the D3100 — was announced last night alongside the WU-1a wireless transmitter and the Nikkor 28mm f/1.8G full-frame lens; and talk about bang for your buck. The D3200 offers a 24.2 megapixel DX-Format CMOS sensor, 4fps continuous shooting, 100-6400 ISO range expandable to 12,800, 11-point autofocus and the ability to shoot full 1080p video at up to 30fps. Read more…
Here’s a helpful video that shows how you can optimize your Canon DSLR for video recording based on Vincent LaForet‘s recommendations. It’s geared towards the 5D Mark II, but is applicable for other video-capable DSLRs as well (e.g. 5D Mark III and 7D). There’s also an article over on LaForet’s blog that explains the reasoning behind the various settings.
Setting up your Canon 5D MKII [Vincent LaForet]
It’s no secret that Hollywood directors are using DSLRs more and more these days to film scenes that traditional bulky cameras can’t, but what’s interesting is that the cameras are often used from within the scenes filmed by the main cameras. A Canon 5D Mark II was mounted to the front of Tony Stark’s crashing racecar in Iron Man II, and was also attached to moving vehicles in the recent Captain America movie. The cameras are camouflaged to blend into the scene, but keep your eyes peeled (or watch the movie in slow motion) and you might just catch a glimpse of one!