If you look at the product page of any “exotic” piece of camera equipment on Amazon, there’s a good chance that you’ll come across some humorous fake reviews left by photographers looking to poke fun at the product’s features. Last September, we shared some funny reviews left for the Sigma 200-500mm, which looks more like a bazooka than a lens. Another one is the Hasselblad H4D-50, a medium format DSLR that costs $19,000… as an open box demo. You can probably guess what the reviews poke fun at. Read more…
Some rumblings over in camp Hasselblad: 1001 Noisy Cameras reports that Hasselblad is sending out the following invite for a big product unveiling on September 19th at Photokina:
In 2002 at photokina Hasselblad launched the revolutionary H System that changed and shaped the medium format market of the new millennium. Embraced by professional and amateur photographers around the world, it is still the unsurpassed standard for craftsmanship and ultimate image quality.
In 2012, 10 years later, our commitment to innovation, evolution and expanding to new horizons is as uncompromising as it has always been in the century long history of Hasselblad.
How big might the announcement be? Mirrorless Rumors writes that rumors are swirling of a new Hasselblad mirrorless camera featuring a CMOS sensor that’s double the size of a full frame sensor. Wowzers!
Video technology is advancing at an alarming rate, and the question that seems to be on many a photographer’s mind is: “will video ever render still photography obsolete?” In the future, will shooting a sunset simply involve going out and recording 30 minutes to an hour of video and then pulling your favorite frames into Photoshop or Lightroom? Well, that’s the question that this video from Fstoppers is trying to answer. Read more…
Many a photographer would love to have a medium format camera gracing their camera bag, but not everyone can afford to drop anywhere between twenty and forty thousand dollars on a Hasselblad. Fortunately, the price of owning one just dropped by 22.9-percent. In an attempt to make medium formats more affordable and commonplace, Hasselblad is launching a global marketing initiative that will significantly drop the price of many of their cameras, including the entry-level H4D-31 (down by ~$5,000), and the 60MP H4D-60 (down by ~$8,000). Read more…
If you thought Nikon’s 6mm Fisheye lens from a week ago was crazy, get a load of this Carl Zeiss telephoto lens announced at Photokina back in 2006. The made-to-order lens was called the Apo Sonnar T* 1700 mm F4, and that little nub at the end? That’s a Hasselblad 6×6 medium format camera.
The monster weighed in at 564lbs and had to use a special focusing method because of the sheer weight of each glass element. At the time this was the biggest non-military telephoto lens in existence, which begs the question: What does the biggest military zoom look like!?
For another look, check out this picture of the lens being showed off at Photokina.
This video, done by The Camera Store with help from Roth and Ramberg, is sure to stir up some controversy. One side will say that 35mm couldn’t possibly compete with medium format, while the other will point out that the price difference makes the whole debate moot. In a way, they’re both right; but this comparison video does a great job of pointing out the benefits and pitfalls of each camera when it comes to skin tone, low light performance, and dynamic range.
Take a gander at the video and give us your take in the comments down below. (Keep in mind that image details won’t show up nearly as well in the video as they did in the studio).
In this social media age, companies are constantly dreaming up all kinds of random ideas for demonstrating the benefits of their products, and hoping that the videos will go viral (an example would be this bulletproof glass CEO that literally stood behind his product). A couple of years ago, Phase One wanted to demonstrate the durability of its digital backs for medium format cameras, so they came up with the “African Elephant Durability Test.” The test proved conclusively that if you’re going into environments where elephants might be looking to stomp on your camera, don’t bring along your $14,000+ Hasselblad back — bring a Phase One back instead!
Camera review sites should start subjecting the latest DSLRs to this test. It’d certainly be an interesting addition to camera reviews.
Last week we shared about how astronauts left some Nikon DSLR gear to burn up in the atmosphere instead of having it brought back to Earth, but it certainly wasn’t the first time cameras were left in space. Did you know that there are 12 Hasselblad cameras currently sitting on the surface of the moon? The cameras that shot those iconic images of the moon’s surface between 1969 and 1972 were left there to allow for the 25kg of lunar rock samples that were brought back instead. Only the film magazines were brought back.
Sigma’s upcoming SD1 uses a special Foveon sensor that captures red, green, and blue information at each pixel by stacking three separate 15MP sensors, giving the resulting images 46 million pieces of information. Hasselblad’s new H4D-200MS medium format DSLR also captures each of the three colors at every pixel, but with a different method — it shoots 6 separate photos with its 50MP sensor, but shifts the sensor by 1.5 pixels for each shot, giving the resulting photos 200MP of resolution. Read more…