You have to give Milan-based artist Guido Daniele a hand. Quite literally. Combining the art of body painting with the art of photography, Daniele captures incredible photographs of model’s hands, painted as though they’re various creatures that roam this Earth.
When it comes to well-designed camera accessories, one company that is continuously at the top of their game is Peak Design. You probably know them for their popular Peak Capture Camera clip, but soon you’ll know them for a new piece of gear: The Peak Slide and Clutch. Read more…
Peter West Carey of DPS has a neat trick for always having a gray card “at hand”: he suggests using your hand as a gray card when you don’t have a card handy. You’ll need to start with an actual gray card for “calibration”:
In a nice even light, using spot metering and manual exposure mode, point your camera at the gray card. Set your ISO so it is not on Auto and maybe to 800, the number isn’t too important. Now adjust aperture and shutter speed until the camera metering is at zero, meaning it is not over or underexposed according to the camera. Next place your hand (I suggest your left hand) where the card was, with your fingers together. Ensure the center metering spot is completely covered by your hand.
What does the camera’s meter read now? Mine says the settings I had for the gray card are 2/3rds of a stop too dark for my hand. [...] This means whenever I point the spot metering at my hand, and my hand is in the light hitting my subject, I just have to adjust my settings until my camera thinks the exposure is 2/3rds of a stop too dark and I am set!
So basically, since the color and tone of your palms don’t change very much, you can use the difference between your hand and 18% gray for snap exposure judgements while shooting.
How To Always Keep A Gray Card At Hand [DPS]
Image credit: Hand by mnsc
Steve 21 has an interesting trick for finding good available light: he places a marble in his hand to simulate what the light would look like on a human face:
Just hold a fist in front of you (like holding a telescope), tuck the marble just under your forefinger, and there you have it – the same lighting an eye would get.
And since you know you want the catchlights to be up at 1 to 2 o’clock, or up high at 12 o’clock, simply turn about until you see the catchlights you want.
The neat thing is that the curves and wrinkles of your hand show you the amount of contrast and backlight.
Black marbles: the latest must-have item in any beginning photographer’s camera bag.
A Trick to Finding Good Available Light [photo.net]
Image credits: Photographs by Steve 21