Warning: This project contains graphic photographs of childbirth that may be disturbing to some viewers.
After photographer Christian Berthelot‘s son was born through a caesarian section procedure, an obstetrician at the hospital asked Berthelot if he wanted to shoot a series of photos showing her work in the operating room — a strange and graphic view that most people never see. Berthelot immediately agreed.
How have camera sales changed over the past 60 or 70 years? The chart above offers an interesting look at this question. It shows camera production between 1947 and 2014.
In early 2013, we shared a print by Pop Chart Lab that showed 100 landmark cameras from the history of photography. Now, the online shop is one-upping itself by releasing a new poster showing over 200 cameras from between 1839 and 2014.
If you thought Photoshop 1.0 was primitive, take a look at the video above. What you’re watching is a short section of film shot at the Amiga launch conference that took place in 1985.
Specifically, you’re watching world-renown artist Andy Warhol using his first ever computer to digitally edit a photograph of Debbie Harry by “painting” over it using the Amiga’s graphic program. Read more…
The company LUMA Partners has gotten in the habit of occasionally mapping out various industry landscapes to show how a product or service gets from Point A (i.e. the creators, marketers, businesses, etc.) to Point Z (i.e. the buyers, brands and publishers), going through the rest of the alphabet in between.
Taking a leaf out of their book, director of kbs+ Ventures, Taylor Davidson, decided to borrow their format and do the same thing for the photography industry, mapping out how content gets from the photographers out into the world of consumers, brands and buyers. Read more…
If you need to chop off portions of the human body while cropping a photograph, where should you draw the line? The folks over at Digital Camera World have released this helpful graphic with suggestions on appropriate and inappropriate areas to crop at:
Portrait photography is challenging for a whole host of reasons. Getting your portrait right in-camera is only half the battle. Knowing how to edit your portraits can be quite difficult when it comes to cropping a photo. Cropping in an awkward position on your subject can end up ruining a perfectly good shot. […] we’ve put together this easy guide for understanding some of the best places to crop a subject in a portrait, and some of the places where you should not. ‘Yes’ areas are marked in green, while ‘bad’ locations are marked in red.
This new infographic is nearly identical to one we shared two years ago, except it’s larger and clearer, and therefore more print friendly. You can download the full-resolution version of the image here.
Free portrait photography cropping guide [Digital Camera World]
Thanks for sending in the tip, Sam!
Mirrorless cameras feature sensors larger than compact cameras and bodies smaller than DSLRs, but how do their sensor sizes compare with one another? To give you a better idea of how formats such as Nikon CX and Olympus/Panasonic Four Thirds stack up against each other, Digital Camera Database created this helpful graphic showing the relative sizes of each format.
Check out this awesome exposure triangle graphic found in this Exposure Guide tutorial on the fundamentals of exposure:
When these three elements are combined, they represent a given exposure value (EV) for a given setting. Any change in any one of the three elements will have a measurable and specific impact on how the remaining two elements react to expose the film frame or image sensor and how the image ultimately looks. For example, if you increase the f-stop, you decrease the size of the lens’ diaphragm thus reducing the amount of light hitting the image sensor, but also increasing the DOF (depth of field) in the final image. Reducing the shutter speed affects how motion is captured, in that this can cause the background or subject to become blurry. However, reducing shutter speed (keeping the shutter open longer) also increases the amount of light hitting the image sensor, so everything is brighter. Increasing the ISO, allows for shooting in lower light situations, but you increase the amount of digital noise inherent in the photo. It is impossible to make an independent change in one of the elements and not obtain an opposite effect in how the other elements affect the image, and ultimately change the EV.
If you’re just starting out in photography, do yourself a favor and work through the Photography Basics page over on Exposure Guide. It’s a fantastic resource.
Exposure – ISO, Aperture and Shutter Speed Explained [Exposure Guide via Reddit]
Here’s an interesting graphic that’s floating around the social networks (anyone know the source?) that shows why photography is more expensive than some people think it should be (“it’s just pointing and snapping, right?”). If you like this, then check out our post back in January titled, “Why Wedding Photographers’ Prices Are ‘Wack’“.
(via Pixel Analogo)
Lytro‘s groundbreaking light field camera is finally landing in the hands of customers, and to give people a better idea of how the camera works, the New York Times has published an interesting diagram that shows what makes the camera tick. Here’s what DPreview has to say about the camera:
The Lytro LFC is so unlike any conventional camera that it doesn’t make sense to score it in comparison to them. Ultimately, though, we’re not convinced that the Lytro either solves any existing problem or presents any compelling raison d’etre of its own. If it were higher resolution or allowed greater separation or could produce single lens 3D video it might generate a lot more excitement. As it is, it feels like a product arriving before the underlying technology is really ready.
All of which is a great shame, because Lytro has done a great job of making a credible consumer product out of a piece of fairly abstract scientific research. It’s quite possible that in the hands of the right people it will result in some interesting creations but we just don’t yet see it as a mass-market device.
The New York Times came to the same conclusion — that the technology is revolutionary, but the product isn’t game-changing… yet.
A Review of the Lytro Camera (via Photojojo)