The Handcuffs and Temptation of Stock Agencies
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Someone finds your work on Flickr. They contact Getty Images to buy it. Getty Images contacts you for permission to sell it to their buyer. Do you do it?
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Someone finds your work on Flickr. They contact Getty Images to buy it. Getty Images contacts you for permission to sell it to their buyer. Do you do it?
Read more…
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Wanting to shed its image of being “old media” and “old fashioned”, Getty Images has unveiled a new watermark that does away with the annoying logo in favor of short links. Rather than plaster the words “Getty Images” across the front of photos, the new watermark is actually useful: it provides a short link that directs viewers to the webpage for that particular image and also gives credit to the creator of the work. Inspired by the plaques found at exhibitions, the new watermark is offset to the side rather than smack dab in the middle.
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When it comes to photography agencies, Getty Images reigns supreme. Founded in 1995 by Mark Getty and Jonathan Klein, the Seattle-based behemoth in many ways took stock and editorial photography into the digital age, causing the slow decline of “former-rulers” like the AP. Between Getty’s editorial supremacy and the rise of an era where photojournalists find themselves replaced sometimes by average Joe’s with smartphones, the last few years have consisted mostly of the AP trying to staunch the bleeding. But now it seems they’re ready to fight back. Read more…
From Love to Bingo in 873 Images is an amazing short film created by AlmapBBDO to advertise Getty Images. The team spent 6 months sifting through 5,000 Getty stock photographs to create this beautiful 1-minute story that shows 873 images at 15 images per second. And you thought flipping through your own personal photo archives was difficult…
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The United States Postal Service admitted last week that the Statue of Liberty photo found on 3 billion newly printed stamps was in fact an image of the half-size replica (shown on left above) found in front of the New York-New York Hotel & Casino in Las Vegas rather than the original in NYC. The original photo was shot by photographer Raimund Linke and was found through Getty Images.
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Amateur Photographer is reporting that stock photo agency Getty Images added the Leica X1 to its “Approved Cameras List” last month. A quick Google search turned up this submission requirements document with a now apparently outdated list:
If you are shooting on a 35mm digital camera it must an approved camera from this list: Canon EOS: 1D(Mk1,2&3), 1DS(Mk1,2,2n&3) 5D, 30D and 40D; Nikon: D2X, D2Xs, D3, D200, D300 and the Leica M8. All medium format backs (e.g. backs by Phase One and Leaf etc) produce sufficiently high quality images to be accepted by us.
The 12.2 megapixel X1 has a fixed 24 mm/2 lens, which gives it a field of view equivalent to a 36mm lens on a 35mm camera. It started shipping in January of this year with an MSRP of $1,995.
Any guesses as to what other non-DSLR camera might soon make the list?
Update: The list above is indeed extremely outdated. There is an updated version of the list that includes the X1
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Freelance photographer Marc Feldman lost his job when Getty Images discovered that he had sent in an altered golf photo for distribution. But Feldman says that it was all an innocent mistake.
Feldman says he was in the press tent after the event, reviewing some photos. The golfer in the image, Matt Bettencourt, and his caddie came by to look at photos as well. The caddie had suggested that the photo would look better without him in it, and Feldman demonstrated how easily he could be removed.
The photographer said he thought he saved the altered image on his desktop, but somehow accidentally transmitted the image along with his final images to Getty.”I certainly did not mean to send both of them to Getty,” he told Guy Reynolds, the Dallas News photo editor who originally blew the whistle on him. Read more…
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Earlier today, Dallas Morning News photo editor Guy Reynolds noticed a strange relationship between two Getty images of golfer Matt Bettencourt at the Reno-Tahoe Open golf tournament. One photo featured a tight image of the golfer holding up his ball, victorious, after the 11th hole. The other image, vertical, shows the golfer in the same position, but with another person standing in the background, possibly the golfer’s caddy. Initially, Reynolds assumed the photograph was taken by two different photographers, from different angles. However, upon further inspection, Reynolds realized the photo was taken by the same photographer, Marc Feldman, and it appeared that the tighter image was actually altered to omit the second person. Read more…