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The black hole in the highly-anticipated Christopher Nolan blockbuster Interstellar has already made headlines. Put together with some serious mathematical help from astrophysicist Kip Thorne, it was so accurate he's actually going to get a few academic papers out of it.

It is, however, 100% CGI and as such outside of our purview as photographers... until now. Just a few days away from the movie's debut, Shanks FX and PBS decided to recreate the effect using all in-camera elements they've shown you how to create before.

After months of rumors and speculation, Nikon has finally announced its new full frame camera, the D600. In terms of specs, the rumors were right on. However, we missed the mark by quite a bit regarding the price. We'll come back to that later.

The D600 is in fact the company's "entry level" full frame DSLR, designed to bring the benefits of an FX-format sensor to enthusiasts who were previously unwilling to take the plunge. The camera features a 24.3 megapixel CMOS sensor, an ISO range of 100-6400 (expandable to 50-25600), a 39-point autofocus system (9 cross-type points), a 0.13 second startup time and a 0.052 shutter lag, 5.5fps continuous shooting, dual SD card slots, a viewfinder with 100% coverage, built-in HDR, 1080p HD video recording with full-time AF, and a 3.2-inch LCD.

Video effects team Corridor Digital created this clever short film titled “Photoreal” featuring …

Here's a really imaginative short film called AT-AT day afternoon, created by Canadian filmmaker Patrick Boivin. Boivin took a vintage Star Wars Walker toy and transformed it into man's best friend. The film was created using a blend of stop-motion animation, puppetry, and clever household green screens that aren't always green. Boivin, who is self-trained in filmmaking and effects, said in an interview that he shoots primarily with a Canon 5D Mark II.

Check out the behind-the-scenes video below.