Over the past month there has been a back and forth going on in the background of the photographic community between writers/photographers Joerg Colberg and Edward Rozzo. The discussion — which has turned into a fascinating debate on the static present and uncertain future of contemporary photography — was sparked by an article by Colberg entitled “Photography After Photography (A Provocation),” and provocative it was.
Photography has finally arrived at its own existential crisis. It is far from being over – no medium is ever over as long as there is just an ounce of creativity left on this planet. But photography has long been running in a circle. Over the past ten years, it has increasingly become dominated by nostalgia and conservatism. Even the idea that we now need editors or curators to create meaning out of the flood of photographs ultimately is conservative, looking backwards when we could, no we should be looking forward.