Posts Tagged ‘fujinon’

Fuji’s Weather Resistant 18-135mm f/3.5-5.6 Raises Image Stabilization Bar to 5 Stops

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Typically, lens announcements go unnoticed unless the lens in question is some optically incredible, super-wide aperture prime lens. But if the idea of an 18-135mm f/3.5-5.6 lens leaves you thoroughly unexcited, we would beg you to read on, because Fuji’s first attempt at a weather-resistant XF lens might just knock your socks off. Read more…

Rumor: A Trusted Source Reveals that Fuji will Release a 16mm f/1.4 by the End of 2014

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We take all unconfirmed news (aka. rumors) with a grain of salt because you just never know, but according to Fuji Rumors this particular tidbit is as good as confirmed. The mysterious “High Speed Wide Angle Lens” on Fuji’s lens roadmap is apparently going to be a 16mm f/1.4 — no ifs, ands or buts about it. Read more…

Fujifilm Debuts the X-A1, An Entry-Level X-Mount ILC with a Standard Sensor

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Fujifilm has some very capable X-Mount shooters in its repertoire, and today that repertoire grows with the addition of the X-A1 entry-level X-Mount interchangeable lens camera. After months of rumors and photo leaks, the official camera is finally here. Read more…

PMA 2010: Fujifilm Showcases Diverse Camera Line, from 3D to Medium Format

The vast range of the new Fujifilm camera lines might explain how Fujifilm, the imaging-specific company placed 19th on the list of top US patents filed in 2009.

In addition to its existing line of point-and-shoots and digital hybrid bodies, Fujifilm has also been developing a 3D camera paired with special 3D photo and video digital viewers, an improved instant photo line, and a new medium format camera. A booth rep said that Fujifilm’s major selling point is their “commitment to photography in all forms,” which resulted in their wide spectrum of cameras this year.

3D Imaging

Fujifilm’s FinePix REAL 3D W1 camera had a limited release on the Fujifilm store site in 2009, and carries a hefty price of $599.

I spoke to the 3D imaging product manager Jim Calverley at PMA, who said the reasoning behind the price was because Fujifilm wanted the product to be available for serious 3D photographers who would appreciate the functionality of the camera, and would be less likely to return the equipment. At the same time, Calverley said, “Don’t expect to film the next Avatar on this handheld camera.”

Nevertheless, this point-and-shoot sized camera can produce some pretty fascinating images and video — that is, if you’ve got an eye for what would work well with the 3D style. Calverley said that the 3D technique works best with images that have many layers of depth — not necessarily depth of field in photo terms, which is entirely different. Depth of field for traditional camerasrefers to the distance and section of a photograph that is in focus (like a single flower, sharp against a blurred field in the background), whereas 3D photographers shoot images that have multiple layers or depth in a compositional sense, layering  a flower in front, a person behind, and the field in the background.

The camera takes two images at a time, much like how the human eyes see images: with two separate lenses.

Images taken with the camera can be viewed in several different ways — and top of the price of the original camera:

  • The photos can be sent to Fujifilm’s print site, seehere.com, to be turned into lenticular prints for $6.99 each.
  • The camera comes with PC software so the images can be viewed on a computer, BUT they will only be in 2D. To enjoy the 3D, the photographer has to have 3D applications such as NVIDIA 3D Vision system, or software like Stereo Photo Maker. You’ll also need glasses. There is also a display that can be used with polarized glasses, much like the ones provided for 3D showings for Avatar and current 3D movies, but it’s pretty pricey for the average consumer as well.
  • Fujifilm has a special digital viewer, the FinePix REAL 3D V1, which allows the images to be viewed with the naked eye, but this gadget is almost as expensive as the camera, at $499.

The prices are pretty high since the use of the technology on a consumer level is new, but Calverley said,” We’re casting a wider net this year,” and that the products will be more widely available to see and test at local camera dealers.

New Instax Cameras

Back to a more practical and affordable consumer level, Fujifilm is also releasing new models of Instax, their instant camera line, which now includes the Instax mini 7s for around $99 and the smaller Instax mini 25 for about $119. There is also a new wide-format Instax 210.

The Instax mini 25 (pictured on the left) is especially geared for the youthful consumer; it comes equipped with a small self-portrait mirror next to the lens opening.

The Fujifilm reps said that the cameras, especially the wide image format, are popular in fashion photography, when quick images and headshots are demanded. Interestingly, another industry, so to speak, that the cameras are in demand  for is the law enforcement and crime scene investigators; these instant shots cannot be digitally manipulated and have a higher integrity and faster tangibility than digital or film.

Medium Format

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For film fanatics, Fujifilm also boasts a new GF670 medium format camera for pros. The camera is projected to be released in April 2010 for an MSRP of $1995.

The camera features a folding 80mm Fujinon lens, which gives the camera a lightweight, compact feel and a nostalgic look. (Mouse-over the image to see the side view.)

It also has an electronic metering system and rangefinder, PC flash cord port, and up to 3200 ISO.  It can shoot in 6×6 format or 6×7.

Another breath of relief for film fans: the booth rep also said that any whispers or rumors about Fujifilm discontinuing any type of their film are rumors; they’re doing better than most film companies, he added.

In any case, it looks like a big year for Fujifilm.