Last week we published a post asking whether anyone had made a “print” on their skin by placing a negative on their skin under the sun. After seeing the post, videographer Jeremiah Warren decided to conduct the experiment for the benefit of all mankind. Taping four slides onto his forearm (he didn’t have any suitable negative film), Warren exposed his skin for four hours in 100-degree heat (consuming a gallon of water in the process).
Check out the video above for his results — the “prints” didn’t turn out as awesome as he had hoped. Using negative film might produce better results since slide film prints a negative image onto skin, but it doesn’t seem like sunlight is focused enough to print a sharp image onto skin.
Here’s really random/strange/stupid idea inspired by a comment left yesterday, but have you heard of anyone “printing” a photograph onto their skin using a negative under sunlight? Seems like it would produce a correct positive image of a negative.
Next time you go to the beach, try sticking a negative onto your body and see what shows up at the end of the day!
It took Steven Silton two hours and 150 tries to capture this amazing photograph of a water drop showing an MC Escher painting.
The hardest part was focusing, in the set up picture I posted in the first comment you can see a piece of string above the eye dropper. I would let that hang down off the eye dropper and focus on that, then move it and squeeze the dropper and the shutter at almost the same time. [#]
He used a Canon 7D and 60mm macro lens, shooting at ISO 640, f/2.8, and 1/250. Read more…
On June 21, 2011, non-profit organization Shoot Experience sent out six photographers to various parts of London to see the current state of photographers’ rights.
Some used tripods, some went hand held, one set up a 5 x 4.
All were instructed to keep to public land and photograph the area as they would on a normal day. The event aimed to test the policing of public and private space by private security firms and their reaction to photographers.
The result? Every one of the photographers was confronted at least once, and in three cases the police were called.
As we sign off for this 4th of July weekend, we leave you with this neat experiment by videographer Jeremiah Warren. He recently purchased some small keychain cameras off eBay and mounted them to various fireworks, giving us a glimpse into what it’s like to be a 4th of July firework.
When Eadweard Muybridge shot the first motion picture of a galloping horse back in 1878, he used 24 individual cameras placed 27 inches apart, using trip wires to fire off each camera one thousandth of a second after the previous one. With fancy high-speed camera rentals priced at thousands of dollars a day, YouTube member Destin came up with a Muybridge-esque technique for capturing a bullet flying through the air using an ordinary DSLR: he shoots a bullet for each frame and uses a fancy trigger to capture the bullet at increasing distances, combining the resulting images into a neat super slow motion video.
With HD video cameras getting smaller and smaller, people are constantly attaching them to random things to give us bizarre perspectives that weren’t very easy to capture before, whether it’s the end of a broadsword or the tip of an arrow. In the video above, some friends decided to attach a GoPro camera to the end of a stick and throw it back and forth while running around. At 6 minutes, it runs a bit long, but who knew the simple idea could create such awesome results?
DC Watch has a tutorial on how to make your own bellows on which you can use various lenses (toy binoculars, magnifying glass, etc…). Print out the PDF template, then follow the video tutorial above to get started. Here’s a Google Translated version of the tutorial.
Reddit user Bryce Hoeper recently broke an old Zeiss Ikon Contina L he purchased for $7 from Goodwill after it took a nasty tumble down some stairs. After being bummed for a while, he stumbled upon Timur Civan’s experiment with sticking a 102-year old lens on a modern DSLR, and decided to attempt the same thing. He spent a few hours taking apart the camera body to extract the lens, then super glued it to a Canon body cap that he cut a hole in, allowing the lens to be mounted to his Canon 5D Mark II. Read more…
Redscale is a technique where film is exposed on the wrong side — rather than having the light hit the emulsion directly, you expose the film through the non-sensitive side.
The name “redscale” comes because there is a strong color shift to red due to the red-sensitive layer of the film being exposed first, rather than last (the red layer is normally the bottom layer in C-41 (color print) film). All layers are sensitive to blue light, so normally the blue layer is on top, followed by a filter. In this technique, blue light exposes the layers containing red and green dyes, but the layer containing blue dye is left unexposed due to the filter. [#]
The two main ways for doing this are loading the film upside down (if your camera allows it), or by purchasing film that has been “converted” already. A third way is to make DIY redscale film by going into a darkroom, pulling out the film, cutting it, flipping it, taping it back together, and then winding it back into the canister. Messy, but it works! Read more…