Ultraviolet fluorescence is a mechanism in which UV radiation excites chemicals in an object and causes them to release visible light. There are many household objects which fluoresce, such as some washing detergents (anything that ‘makes your whites whiter), soda water (it contains a chemical called quinine which makes it taste bitter, and also causes the fluorescence), the dyes found in highlighters, the bacteria found on the face (which cause spots and acne), bodily fluids (including urine) and much more.
Faced with another birthday party at Chuck E Cheese, a place my daughter loves but low ISOs do not, I decided to get creative. I shot a collection of photos with a set of three Yongnuo YN-560 and YN-560 II flashes with a diffuser cap/”omni bounce” inside of small lampshades placed along the table.
Photographer Caleb Charland is an artist who perpetually thinks outside the box for his photo concepts. In the past we’ve featured experiments that include a 14-hour exposure of a lightbulb powered by an orange and using scientific principles for creative images.
Charland’s latest project continues this outside-the-box trend. The yet-to-be-named series features abstract images created without a camera — the artist simply used photo paper and a candle.
It has been a long time since I have asked for something photo related for my birthday. I usually don’t ask, just because I’m very particular about what equipment I use, and my friends and family know it. But this year, it was different. I thought about dabbling in some old school photography, so I asked for a Polaroid 600 camera. My fiancée stepped up to the plate and delivered, gifting me an awesome 1983 Polaroid Sun 600 LMS. I had some fun with my first pack of film, but then it was time to start pushing the envelope.
An idea hit me one day, and I knew I had to try something that I’ve never seen done before: shooting off camera flash with an older Polaroid 600 instant camera.
Ithaca College, a small private school in New York, recently conducted a fun photo experiment to capture a day in the life of the students on campus. Instead of sending a photographer around to various student hotspots, the student social media team left ten disposal cameras in five locations around campus with a note that read:
Hey, I just left this camera here for the day. Take some fun pictures with you and your friends! I’ll be back later to pick it up
At the end of the day, all the cameras were collected, all the film was developed, revealing an “authentic view of a day at Ithaca College.”
Like everyone else who heard that Kodak was discontinuing Kodachrome in 2009 — and that Dwayne’s Photo would not develop the slide film after 2010 — I shot as much Kodachrome film as I could acquire, before that “last developing day” deadline.
What do you get if you apply every Instagram filter to a single photograph? Belgian blog Appelogen decided to find out, starting with a normal photo of a pathway and applying one filter at a time. The resulting image is pretty abstract, and prompted them to ask the question, “is it art?”
Instagram experiment: all filters on a photo [Appelogen]
Looking for a weekend project? Try you hand at creating an anthotype, or an image created using photosensitive material from plants. Grind up some plant matter to harvest the juices, paint the juices onto some paper, place a negative over the paper, and then leave the image out under the sun. When it’s done exposing, scan the image to preserve it and place the print in a dark place, since light will slowly cause the image to disappear. Photojojo has a step-by-step tutorial on the process here.
DIY: Create Photographs Using Plant Matter! [Photojojo]
This Holga camera is named the “Holga-Cam of the Apocalypse” and is worth $24,000. Photographer Mike Martens created it using a Holga 120N camera body worth $25 and a Phase One P25 digital back worth $24,000. The two components are fused together using a horseman lens board (hence the camera’s name) and a foot of black gaffer’s tape. The camera shoots low-fi photographs at 22 megapixels. You can find more images of the camera here and sample photographs shot with it here.
(via Photon Detector)
London-based photographer David Wilman recently did some experiments in which he used a Canon 5D Mark II as a digital back for his MPP 4×5 large format camera. He placed his lens-less 5D at the back of the camera at the film plane and then placed a black cloth over the two cameras to prevent any light from spilling onto the sensor. Light from the Schneider Kreuznach Xenar 4.5/150mm lens entered straight into the open mirror box of the DSLR without any physical link between the two cameras. Wilman was surprised to discovered that this pairing produced quite a respectable macro setup.