exhibit

Photographer David Seidner is finally getting the recognition he deserved. International Center of Photography's 'Fragments' exhibit.

Photographer David Seidner Was a Genre-Defining Artist

The late American fashion photographer David Seidner (1957-1999) was influential in his life, but his work has, sadly, gone underappreciated in the decades since his passing. The International Center of Photography (ICP) in New York City aims to change that through an ongoing exhibition of Seidner's work called "Fragments."

Watch a Dali Artwork Get Damaged by Girls Snapping Selfies

Careless selfies have claimed more casualties. A pair of artworks by renowned painters Salvador Dali and Francisco Goya were damaged over in Russia after a group of girls posing for selfies accidentally knocked over the structure on which they were being displayed.

Photographer Has Identity Stolen, Gets Her Revenge with a Covert Photo Project

In 2011, photographer Jessamyn Lovell was at San Francisco gallery SF Camerawork when her wallet was stolen. Not long after, the unauthorized charges started pouring in.

Infuriated at what was taking place, Lovell decided to track down her thief rather than simply replace her cards and move on with her life. In doing so, she turned this art gallery mishap into an art project all its own.

Steve McCurry Retrospective Looks Back Over 40 Years of Iconic Work in 150 Portraits

There are few photographers out there as well-known as the iconic Steve McCurry. His Afghan Girl portrait earned him world-wide fame and recognition, but all of his work -- from the most iconic to the largely unseen -- speaks to his uncanny eye for capturing emotion and composing portraits that are second to none.

And now, four decades of the great man's work is being summed up in a 150-portrait retrospective called Oltre lo Sguardo, on display at the beautiful Villa Reale di Monza in Italy until April 6, 2015.

A Look at Some of the Most Powerful and Iconic Photography from the Civil War

The Civil War wasn't the first war to be photographed, but the leaps and bounds that photographic technology had taken leading up to the war in 1861 enabled American photographers at the time to come out en masse when news of the attack on Fort Sumter came.

Many photos came out of the war, showing everything from the horrifically scarred back of an escaped slave, to the bravado of young confederate soldiers. In the video above, curator of the Metropolitan Museum of Art's "Photography and the American Civil War" exhibit Jeff L. Rosenheim walks us through some of those photos, explaining the role each one played in documenting four years of bloodshed.

William Eggleston and the Validation of Color Photography as Legitimate Art

William Eggleston didn’t invent color photography, but his landmark 1976 exhibition at the Museum of Modern Art gave it dignity, and began the four-decade process of acceptance by curators and collectors as an art form to rival oil painting.

Shot in 1970, “Untitled (Memphis)” – shown above – was one of the 75 photos in the show, and also featured on the cover of the catalogue. Now it’s included in a retrospective of Eggleston’s early work at the Metropolitan.

Monsters: Photographs of People Making Silhouettes in a Museum

In December 2012, the Museum of Modern Art in New York City featured an interactive art installation by Philip Worthington called "Shadow Monsters". The exhibit was created using a computer, a camera, two projectors, a light box, and some clever software. When visitors stepped in front of the light box, their shadows were magically transformed into creatures that were brought to life through sound and animation.

Photographer Joseph O. Holmes saw the unique exhibition as a photo project opportunity. However, instead of photographing the resulting monsters, he decided to turn the camera on the participants themselves, capturing their monster-making activities as a series of silhouettes.

New Open Source Exhibition Format Asks Artists to Bring Their Own Projectors

"BYOB" is an initialism that's readily understood by college students who party. To artist Rafaël Rozendaal, however, it means something entirely different. In 2010, Rozendaal launched Bring Your Own Beamer, a series of novel "open source" art exhibitions in which participants were asked to bring their own beamers (AKA projectors). The recipe for the concept is extremely simple: find a venue with plenty of wall space (and outlets), invite a bunch of artists and art-lovers, and have images projected all over the walls for everyone to enjoy.

Nikon In Hot Water After Canceling WWII “Comfort Women” Exhibit

Nikon found themselves at the center of a controversy this last weekend after they decided to cancel a sensitive photography exhibit without giving a reason why. The exhibit, a photographic documentary on the theme of "Comfort Women" (Korean women used as sex slaves during WWII in Japan), was put together by Korean photographer Ahn Sehong and set to start on June 26th at the Nikon Salon in Tokyo -- until Nikon cancelled it.

Amazing “Real Time” Clocks Created Using 12-Hour-Long Loops of Video

Artist Maarten Baas has a project called "Real Time" in which he creates one-of-a-kind clocks using a video camera and boatloads of patience and dedication. He creates 12-hour-long loops of people manually setting the time on various clocks... in real time. The video above shows his grandfather clock exhibit in which the hour and minute hands of the clock are painstakingly drawn in every minute of every hour for twelve hours.

Camera Phones Used for Augmented Reality Presentations in London Museum

Typically, augmented reality falls somewhere between technological breakthrough and really cool thing to show your friends; but in the Science Museum in London's Making of the Modern World exhibit, augmented reality also takes up the mantle of education.

Using the $3 Science Stories app, visitors to the museum can point their iOS or Android devices at markers set in front of particular exhibits, and prompt a 3-dimensional James May (one of the hosts of BBC's Top Gear) to appear and explain the particulars of the display.