After The Bee published a correction and apology online Wednesday and in print Thursday, editors reviewed a selection of Patrick’s work and found two additional digital alterations that violate The Bee’s standards.
[...] In a 2009 photograph of the Auburn wildfire that was published unaltered in the newspaper, Patrick subtly enlarged the flames in the photograph submitted for a winning entry to the San Francisco Bay Area Press Photographers Association annual contest. An anonymous email to The Bee late Thursday cast suspicion on that photograph.
NPPA president Sean Elliot wasn’t surprised by the firing, saying, “If he’s willing to move a couple of egrets around, if he’s willing to jazz up flames to make a photo more exciting, how do we know there aren’t more?… How do we trust the work?”
The Washington Post raised some eyebrows last Friday after running an uber-saturated front page photo with the caption stating that it was “a composite created by taking several photos and combining them with computer software to transcend the visual limitations of standard photography.” After emailing the photo editor, Poynter learned that the image was simply an HDR photograph. While it’s a pretty common technique these days, some believe that it has no place in photojournalism,
Sean Elliot, president of the National Press Photographers Association, said, “HDR is not appropriate for documentary photojournalism.” The organization’s code of ethics say photographers should respect the integrity of the digital moment, “and in that light an HDR photo is no different from any other digital manipulation.”
“By using HDR,” he told me by email, “The Washington Post has combined different moments, and thereby created an image that does not exist. The aircraft visible in the final product was not there for all the other moments combined into the final, and that alone simply raises too many questions about the factual validity of the actual published image.” [#]
What complicates matters is that many new cameras (e.g. Nikon D4, Apple iPhone 4S) offer HDR features that create single images from multiple exposures in the camera. The Washington Post published a response to the controversy yesterday. Do you think HDR is an appropriate technique for photojournalists to use?
The debate regarding what makes a photograph “truthful” or not is probably as old as the art of photography itself. By sheer coincidence, there were a couple interesting articles published today on this issue, and written from two different points-of-view. Read more…
Government officials have been caught in a number of Photoshop flubs recently, from the Egyptian president being edited to be walking at the head of a pack of world leaders to a badly Photoshopped photo of Chinese officials that went recently went viral. Now the Syrian government may be the latest culprit — the country just released an image of its president swearing in a newly appointed governor, and something doesn’t quite look right…
The Guardian’s imaging expert David McCoy believes two pictures have been merged to make it seem like the men are in the same room, with the one on the right positioned fractionally higher than the one on the left. This becomes clearer when you look closely at the floor, which is distorted. The right hand side of the picture has been stretched downwards into place to line up with the left side (which is not distorted). [#]
What’s your analysis? Is this this yet another government manipulated photo?
The AP has sacked photographer Miguel Tovar for “deliberate and misleading photo manipulation” after Tovar cloned out his own shadow from a feature photograph. The Photoshopping came to light after an alert photo editor spotted a strange looking dust pattern in a photo of Argentinian children playing soccer. Read more…
The White House is ending its long-running practice of reenacting speeches for still photographs after the controversy was rekindled last week by President Obama’s Osama bin Laden speech.
After Obama’s live, late-evening address from the East Room of the White House on May 1, five photographers were ushered in to shoot pictures as the president stood at the podium and re-read a few lines of his speech – a practice that news organizations have protested for years.
Even though The Associated Press and other news outlets said in captions to the photos that they were taken after the president delivered his address, many people who saw them may have assumed they depicted the speech itself. That raised questions of whether news organizations were staging an event. [#]
Today a spokesperson for the President stated, “We have concluded that this arrangement is a bad idea,” and that the administration is working on a new method for photojournalists to make photographs of actual speeches.
President Obama announced last week that photographs of Osama bin Laden’s body would not be released to the public due to concerns that it would incite violence and hatred, but a number of news agencies and advocacy groups are attempting to have them released using a Freedom of Information Act request. The Associated Press is one of the agencies that filed a FOIA request (they’re also requesting that video of the raid be released), and the US government has 20 days to respond. Read more…
You might not know this, but virtually all of the still photographs you’ve seen in the press showing President Obama announcing the death of Osama bin Laden are staged photographs. Reuters photographer Jason Reed wrote an interesting behind-the-scenes blog post on Monday, explaining:
As President Obama continued his nine-minute address in front of just one main network camera, the photographers were held outside the room by staff and asked to remain completely silent. Once Obama was off the air, we were escorted in front of that teleprompter and the President then re-enacted the walk-out and first 30 seconds of the statement for us.
Apparently this has been standard practice during Presidential speeches at the White House for quite some time, and is meant to prevent the noise of camera shutters from interrupting the televised address. Despite the fact that news organizations try to disclose the nature of the photos in the captions, the fact that these photos are staged doesn’t sit well with some folks. Read more…
Last November NYC firefighter Robert Keiley posed for a stock photograph that showed him covered with soot and holding a helmet. Despite signing a release when the image was made, he was shocked when he found an edited version of the photo in an advertisement show him holding a picture of the Twin Towers on 9/11. The ad read “I Was There”, and was for a law firm specializing in 9/11 lawsuits. Keiley, previously a model, didn’t join the fire department until 2004. Now, the agency behind the ad has pulled it after Keiley announced intentions to sue. The news clip above shows two lawyers debating this case. Your thoughts?
During the aftermath of the devastating earthquake in Haiti, a number of images that became widely discussed were of 15-year-old Fabienne Cherisma, who was shot and killed by police after looting two plastic chairs and three framed pictures. One of these photographs (shown above), captured by photographer Paul Hansen, was recently chosen as the best International News Image at the Swedish Picture of the Year Awards. There was soon a good deal of discussion in the Swedish media over the ethics of such an image. Read more…