ethics

The Baffling Allure of Staged Photos in Photography Competitions

Ah, the world of photography – where the line between candid images and artfully contrived scenes grows increasingly hazy. It’s as if the debate about staged photos and their place in photography competitions never quite loses its luster. But wait, we’ve got another gem to share: the revelation of a prize-winning staged photograph in yet another photography competition.

On ‘Protecting Your Subjects’ in Street Photography

It’s difficult to see how anyone other than the photographer is responsible for a photograph they may take, although I’m sure there are some specific exceptions – but usually, if a photographer is not responsible for their photograph, then who should be?

On ‘Exploitation’ in Photography

I recently wrote about the importance of discourse on the ethics around photography, where I offered my perspective on why rules and doctrines around decision making can diminish your ability to stand behind your work, justify your decisions, and really take responsibility and ownership over your vision.

Why Discourse on Ethical Photography Matters

Seeing is believing. This concise rhetoric goes a long way to explain the power of photography. Where a statistic can reduce an entire country to a few numbers a photograph can bypass the mind and head directly to the heart via the eyes. Emotional, heartbreaking eyewitness testimony is just another block of text compared to the medium which makes the viewer themselves an eyewitness to whatever the photographer wanted to show them.

6 Ethical Considerations When Doing Street Photography

I love street photography, I teach street photography, I promote street photography, I defend street photography, and want everyone to experience the fun of doing street photography!

The Thai Nursery Massacre and the Ethics of Reporting on Tragedies

“First do no harm…” Sometimes I think that there should be a Hippocratic oath for journalists due to the extremely sensitive stories that we sometimes encounter, and if there were such a text, it should start with those preceding four words.

Photo Gallery

Two Photo Contests, Two Conflicts of Interests, Two Different Responses

Photography competitions garner hundreds of thousands of entries per year and give away about as much money to a small subset of winners. But when those competitions are judged by well-known photographers —which is expected of any prestigious competition — this industry is small enough that it is mathematically impossible to avoid the possibility of a conflict of interest arising.

Real or Photoshop: How Much Photo Editing is Too Much?

There is a lot of discussion these days about the pros and cons of post-processing. Is it good or bad, why do we do it at all, shouldn’t photography be representative of reality? Authentic? Isn’t the image out of a camera the real thing? Isn’t editing cheating?

Photographer ‘Disappointed’ That NBC Edited Lia Thomas Photos

NBC has sparked criticism for airing edited photos of transgender University of Pennsylvania swimmer Lia Thomas that softened the athlete's facial features. The photographer behind one of the photos says she is "surprised and disappointed" at what was done to her original shots.

Is It Ethical To Make Money on Photos of Suffering?

There are many debates about ethics in photography. One such debate is around making money on photos that show human suffering. It could be appropriate, but there are a few caveats you should consider before selling such work.

Student Plagiarizes African Artist, Gets Exhibited at the Milan Photo Festival

In 2014, curator Simon Njami engaged Ethiopian artist photographer Aïda Muluneh to interpret Dante’s Inferno for an exhibition at the Smithsonian’s National Museum of African Art entitled The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists. Muluneh’s “The 99 Series” featured a model set against a light grey mottled background, with her body and face covered in white paint, and her hands dipped in red.

An Important Lesson I Learned as a Photojournalist

I began working on a long-term project on child sexual abuse after receiving a three-day assignment from Marie Claire magazine USA to work with the Police Child Protection Unit in South Africa documenting infant rape. This was back in 2001, but I feel the lesson learned is still very relevant today.

Preying Eyes: Wildlife Photography as a Form of Paparazzi Intrusion

Do non-human beings have a need for privacy? And if so, is it comparable to that of human beings? Does wildlife photography invade privacy? This essay seeks to explore these questions by comparing paparazzi photography with wildlife photography regarding the concept of privacy invasion. To do so, two images will be studied in detail and compared to each other.

11 Tips to Achieve Better Street Photos

Street photography is one of my favorite ways to create photos because it affords so much variety and opportunities for different types of photos.

Subjects of World Press Photo Series ‘Paradise Lost’ Critical of Project

The mountainous region of Nagorno-Karabakh, which sits between Armenia and Azerbaijan, has been rife with tension and animosity for over three decades.

The conflict was reignited in September and quickly became an outright war, with drone strikes and missile attacks. Thousands died, and more have been displaced. In November, a peace deal was brokered, Azerbaijan declared victory, and captured most of the contested region, forcing Armenians to flee.

Thoughts on a Framework for Photo Ethics

Ethics in photography is a topic that just keeps popping up. Whether it’s the latest dish on Magnum, or an argument about photographing the homeless, some days it seems you can’t turn around without stumbling across another disagreement.

Who Should Own Photos of Enslaved People?

In 1976 while rummaging through an attic of Harvard’s Peabody Museum of Archaeology and Ethnology in search of old museum publications, editorial assistant Lorna Condon opened a drawer in a wooden cabinet. Inside, she found a number of flat leather cases which contained a series of daguerreotypes of partially and fully nude Black people.

My Response to David Burnett’s Open Letter to the NPPA

Dear Mr. Burnett,

I have some concerns I’d like to address in your recent open letter regarding the Photo Bill of Rights (BoR). I am a 36-year-old white female editorial and commercial photographer. I am a member of APA and a Houston chapter board member for ASMP.

David Burnett: An Open Letter to the NPPA on Ethics

World-renowned photojournalist David Burnett recently published an open letter to the National Press Photographers Association in response to the recent debates surrounding photojournalistic ethics and the controversial new Photo Bill of Rights that calls for, among other things, consent from subjects in public spaces.