Posts Tagged ‘documentary’
A French photographer who goes by the pseudonym Mani was recently in Homs, Syria documenting the urban warfare between government forces and rebel fighters. The video above, broadcast by Channel 4 News in Britain, shows the amazing footage Mani was able to capture by fearlessly putting himself in the midst of skirmishes.
While the world has become used to grainy shaky and gruesome footage and images from Homs fed through whatever Internet connection is available, Mani’s crystal clear and incredible footage gives perhaps the clearest and most frightening account of what Homs has been like for the past three weeks.
Everything is a Remix is a fascinating four-part video series by filmmaker Kirby Ferguson that explores the concept of creativity, and how everything created has some degree of copying, transforming, or combining of old ideas. While the series isn’t specifically directed towards photographers, the ideas are quite relevant to the discussion of “original” work.
[...] an elegant, moving, and lyrical portrait of this quintessentially American photographer. The documentary weaves together archival footage, photographic images, dramatic readings of the artist’s own writing, and interviews with leading photographers, historians, curators, naturalists, as well as Adams’s family, friends, and colleagues, to tell the story of a man who was at once a visionary photographer, a pioneer in photographic technique, and an ardent crusader for the cause of environmentalism.
It’s about 80 minutes long. You can find out more about the film here.
PressPausePlay is an award-winning documentary film that poses questions on what the digital revolution has done to various creative industries:
The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities.
But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.
Although the topic of photography isn’t addressed directly, the film is very relevant to photographers, since the imaging industry has definitely been transitioning from old school (film and traditional distribution methods) to new school (digital and Web-based distribution methods).
Thanks for the tip, Conrad!
The final nail in the Kodachrome coffin came at the end of 2010 when the last lab that processed the film, Dwayne’s Photo in Parsons, Kansas, ceased its support. In Kodachrome’s final years, every roll sent to Kodak for processing from around the world was sent to Dwayne’s. This mini-documentary created by Xander Robin offers an interesting glimpse into Kodakchrome processing at Dwayne’s Photo before it came to an end.
Here’s an interesting video in which acclaimed documentary filmmaker Errol Morris (the guy who directed The Fog of War) talks about the issue of truth in photography, and how he thinks we’ve forgotten that there’s a connection between photos to the physical world.
Photographs are neither truth nor false. Talking about the truth or falsit of a photograph is nonsense talk [...] All photographs are posed.
He also makes the point that sometimes photographs are posed by excluding things.
This video was shot by a German film crew in the early 1980s, and shows American street photographer Garry Winogrand at work. Although he died of bladder cancer at age 56, his photographic output during his lifetime was enormous, even compared to other photographers:
Consider this: at his death, Winogrand left behind 2500 undeveloped rolls of 36-exposure 35mm film (mostly Tri-X), 6,500 rolls of film that had been developed but not contact-printed–not to mention 300 apparently untouched, unedited 35mm contact sheets.
Do the math. Conservatively, that’s at least 300,000 pictures – equal to at least two life’s work for anyone else–that Winogrand took but never even saw, so busy he already had been photographing the world around him. [#]
That explains why Winogrand is able to load new film into his Leica so effortlessly while talking to the camera — he could probably do it in his sleep.
(via tokyo camera style)
German photographer Andreas Gursky is one of the most successful artists of our time, and yesterday a print of his titled “Rhein II” became the world’s most expensive photograph, selling for $4.3 million. Back in the early 2000s, director Ben Lewis made this interesting 23-minute feature that gives an inside look into “Gursky World.”