Traditional funding models are dissolving, new forms of expressing ownership have arisen to accomodate for remix culture, and artists are finding ways to connect physical art experiences and traditions to the internet. In the digital era, the experience of art from the perspective of the artist and the art audience is shifting rapidly, and bringing more people into the creative process.
Here’s an awesome TED lecture in which digital artist Erik Johansson discusses creating realistic “photographs” of impossible scenes.
Erik Johansson creates realistic photos of impossible scenes — capturing ideas, not moments. In this witty how-to, the Photoshop wizard describes the principles he uses to make these fantastical scenarios come to life, while keeping them visually plausible.
For his project titled “Unrealistic Scenes“, photographer Nathan Spotts composited his own landscape photographs with digital artwork of planets floating in the starry night sky.
I’ve always been captivated by the beauty of our world, and often dream of the things that lay just beyond what we can see. I wanted to create images of scenes that are not-quite real, but that almost could be.
For her series entitled “Photo Opportunities“, photographer Corinne Vionnet gathered hundreds of photographs taken by tourists at famous locations and combined them by layering them together, creating surreal views of places we’ve all seen before in photographs. Read more…
Digital hyper-realist artist Bert Monroy spent four years creating an incredibly detailed Times Square scene. The 5×25 foot image weighed in at 6.52 gigabytes as a flattened file, and involved more than 750,000 separate Photoshop layers and over 3,000 separate Photoshop and Illustrator files. The image is actually a “who’s who” for the world of digital imaging, and features individuals who have made an impact on the history of the field, including Photoshop’s founders, imaging experts, and notable photographers (see if you can pick any out!).