For their most recent international foray, the DigitalRev producers decided to send Kai, Lok and Alamby on a 36-hour trek across London to take photos. They were tasked with travelling to and photographing 10 of London’s best known landmarks, using old film SLRs on day one, and digital cameras the next. Read more…
Posts Tagged ‘digital’
Older Sigma lenses that were designed for Canon EOS film cameras often don’t work correctly when mounted onto a new EOS digital SLR, even though the newer bodies still use Canon’s EF mount. If you’re an owner of such a lens, you might have heard that you can send it in to Sigma’s service center for them to rechip it in order to make it compatible again.
Did you know that those of you who are handy with electronics can actually do the rechipping yourself at home? Photographer Martin Melchior recently did this with his Sigma 70-210 f/2.8 APO lens, and says that anyone with basic soldering skills can do the same.
Opened in 1949, the George Eastman House in Rochester, New York is the world’s oldest museum dedicated to photography. It’s world renowned for its collection of more than 400,000 photos and negatives dating back to when the medium was first invented.
If you would like to check out some of the museum’s photos but can’t make the trip out to Rochester, there’s now a sleek new way for you to browse the imagery. The museum announced this week that it has become the first photo museum to join the Google Art Project.
In their most recent “Pro Photographer, Cheap Camera” challenge, DigitalRev managed to get world-renowned, Pulitzer Prize-winning photographer Vincent Laforet to participate. Known best, perhaps, for his tilt-shift work, Laforet was asked to trade in his 1D X and 45mm tilt-shift lens for a Canon A2e and Lensbaby composer.
More intriguing than the challenge itself and the photos that resulted, however, is the nostalgia with which Laforet writes about the experience on his blog. This is the first he shot with an A2e in 14 years, and the entire experience was extremely refreshing for him. Read more…
Are you a fan of small things? UK-based photo enthusiast Greg Dash is trying to launch “the world’s first digital Lomo-fisheye.” It’s a pint-sized digital toy camera that packs a 170-degree fisheye lens.
If you’re constantly on the prowl for new sources of photographic inspiration, there’s a pretty sweet deal going on over at National Geographic. The magazine has long been praised for its focus on delivering high quality photography showing all kinds of subjects in all kinds of locations around the world, and now it’s offering its complete collection of issues between 1888 and 2011 for just $25. The set of 7 DVDs normally costs $80, so it’s a savings of almost 70%.
Another sign of the times (and bad news for film-photography enthusiasts): one of the most prestigious photo competitions in the world no longer accepts film photographs. Earlier this week Nikon published a “call for entries” for its 34th Nikon Photo Contest. Here’s what the entry guidelines say about “Eligible Works”:
Image data files created with digital cameras (including medium- and large-format cameras). Images that have been retouched using software or by other means will be accepted. Both color and monochrome images will be accepted. (Scans of photographs taken with film cameras are not eligible.)
The contest has been held since 1969 to “provide an opportunity for photographers around the world to communicate and to enrich photographic culture for professionals and amateurs alike.”
Did you know that LCD screens and live view didn’t arrive until a number of years after digital cameras hit the market? The first consumer digital camera that featured those technologies was the Casio QV-10 (seen above), which hit store shelves in 1995. However, the screen was purely for framing shots, not for eyeballing exposure, and it took roughly 10 years for live view as we know it to become ubiquitous.
The first prosumer camera to use live view for both exposure control and preview framing was the fixed-lens Canon PowerShot G1 from 2000, although this was still in the line of compact cameras.
The first DSLR to use live view for framing preview only was the fixed-lens Olympus E-10 from 2000. The first interchangeable-lens DSLR to use a live preview was the Fujifilm FinePix S3 Pro, which was launched in October 2004. Its “Live Image” mode could display a live, black-and-white preview of the subject that could be magnified for manual focusing purposes, although the preview was limited to a duration of thirty seconds. [...] The first general-use interchangeable-lens DSLR with live view for framing preview only was the Olympus E-330 of 2006. The first general-use interchangeable-lens DSLRs with live view for both exposure simulated preview and framing preview were the Canon EOS 1Ds Mark III and Canon EOS 40D of 2007.
Just in case you were wondering, the terms “live view” and “live preview” are interchangeable.
The photography industry isn’t the only one transitioning away from film and into digital; Hollywood’s undergoing the exact same thing. Side by Side is an upcoming documentary film produced by Keanu Reeves that offers a look into this major transition that’s underway
For almost one hundred years there was only one way to make a movie — with film. Movies were shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking.
SIDE BY SIDE, a new documentary produced by Keanu Reeves, takes an in-depth look at this revolution. Through interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, SIDE BY SIDE examines all aspects of filmmaking — from capture to edit, visual effects to color correction, distribution to archive. At this moment when digital and photochemical filmmaking coexist, SIDE BY SIDE explores what has been gained, what is lost, and what the future might bring.