darkroom

A Tour of Ansel Adams’ Custom-Built Darkroom

"Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships." That quote by the great Ansel Adams might contain a hint of joke, but it's no joke that Adams sometimes spent entire days locked up in his darkroom creating his prints. And now we get to see the space for ourselves.

SP-445: A New Small and Simple Developing Tank for 4×5 Large Format Film

Long-time film photographer Timothy Gilbert was frustrated with existing options for processing 4x5 large format sheet film at home, so, as an engineer, he decided to create an easy-to-use and affordable system himself.

After several prototypes and extensive testing, what he came up with is the SP-445 processing system, an extremely compact and simple tank that requires minimal chemicals and effort.

This is How You Make a Massive 4×5-Foot Print in the Darkroom

What's the largest print you've ever made in a darkroom? If you've never done anything larger than the most common sizes, then you may find the video above illuminating.

Over the course of 3 minutes, we get to see how Norwegian photo assistant Oystein Gronvold recently went about creating a massive 120x150cm (~4x5ft) silver print from an 8x10 negative for photographer Dag Alveng.

You Need More than ‘Natural Talent’ to Make it as a Photographer

Movies on the big screen sometimes have valuable nuggets of wisdom that can be applied to photography (and life). We recently shared one such clip from the movie "The Secret Life Of Walter Mitty." Here's another one from the movie "Boyhood."

In this 3-minute clip, the main character, Mason, has a conversation with his photography teacher, Mr. Turlington, in the class darkroom. It turns out to be a fatherly lecture about the importance of adding hard work and other qualities on top of natural talent.

How I Turned a Caravan Into a Mobile Darkroom for Wet Plate Photos

Having failed woodworking at school, probably the worst thing I could have done is venture into the world of wet plate photography.

Back in 2012, I learned the dark art of the silver stuff, just around the time the wave of interest was starting to build worldwide. However, as I live in New Zealand, an island nation, it has taken a while (and is still taking a while) to reach us. As a result, getting anything wet plate-related is quite a task. One does not simply walk into a store and buy a 'wet plate kit'.

W. Eugene Smith Considered Darkroom Work to be 90% of a Photo’s Creation Process

American photojournalist W. Eugene Smith was widely praised for his devotion to photography and for pioneering the use of the photo essay to tell stories. He is said to have "created at least fifty images so powerful that they have changed the perception of our history."

There's one little fact about how Smith worked that may be of great interest to photographers these days, especially as debates rage on regarding the merits of "straight out of camera" (SOOC. i.e. non-Photoshopped) photography: Smith believed that most of what makes a photo is done in the darkroom rather than in the camera.

DIY: How to Create an Entire Darkroom In a 3.5×7-Foot Closet

Do you love the smell of fixer on your fingertips and the ominous red glow of the safety light, but don't have enough space to build your very own darkroom at home? Well, you might want to reevaluate your definition of "enough."

Instructables user wackybit recently managed to pack an entire darkroom into a decent-sized closet. And rather than keeping it a secret, he was kind enough to share his entire setup with the rest of us poor darkroom-less mortals.

A Beautiful Look at the Meticulous Process Behind Large Format Photography

In the world of analogue photography, the larger you go in format, the more time, discipline and resources it typically takes to capture and develop your photographs. And while the age-old technique of developing film takes due diligence no matter the format, large format photography in particular has a certain quality to the process that makes it stand out from the rest.

Darkroom Gear Recycled Into Chic Table Lamp

You, of course, are an analog purist who will forever be devoted to film. Other folks, however, may be wondering what they're going to do with a bunch of darkroom equipment that's getting lonelier by the year.

Marked Up Photographs Show How Iconic Prints Were Edited in the Darkroom

Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos' New York headquarters, has personally worked on some of the cooperative's best-known images. A number of his marked-up darkroom prints have appeared online, revealing the enormous amount of attention Inirio gives photos in the darkroom.

Koloid Brings the Look and Feel of Wet Plate Collodion Photography to iOS

With the rise of digital photography, good old-fashioned film processing has, for the most part, become a thing of the past for many of us. But with a new app called Koloid, photography enthusiasts can play around with the look and feel of wet plate collodion photography while creating digital images with their iPhones and iOS devices.

How to Process C-41 Color Negative Film at Home, From Start to Finish

I know there are a few guides out there for home processing, some of which were instrumental in helping me get over my fears. All of these other guides seemed to be a little incomplete and that lack of detail made me wait longer than I should have before taking the plunge. In reality, it’s easy to do your film at home. Let me show you!

Photographer and Lab Owner Discusses the Art of Film Photography and Printing

Over the years, Billy Mork has been a photographer, an art director and even a practicing architect, but he ultimately ended up back where his passion lies: in black and white film photography. This inspirational short film -- put together by broadcast media student Duong Thai Anh for a class at LASALLE College of the Arts in Singapore -- tries to capture a bit of that passion and pass it along to you.

A Personal Darkroom Built Inside a New Backyard Shed

A number of years ago, England-based photographer Dave Miller wanted an at-home darkroom, but didn't have the luxury of converting a spare room in his house into one. He did, however, have a nice garden area that wasn't being used, so he decided to upgrade the grassy area with a shed -- a darkroom shed.

Amazing Surreal Photomontages Created Without the Use of Photoshop

Upon first glance, artist Thomas Barbèy's surreal photomontages may seem rather amateur when compared with all the highly-polished photomanipulations that are floating around on the Internet. However, one simple fact will make you see the pieces in an entirely different light: Barbèy shoots film and uses in-camera and darkroom techniques to create the works!

That's right: he eschews Photoshop and digital trickery in favor of analog processes.

BTS: Creating a Wet Plate Portrait Using an Ordinary Negative and an Enlarger

Slovenia-based professional photographer Borut Peterlin was recently tasked with shooting a portrait of painter/illustrator/author Milan Erič for influential Slovenian magazine Mladina. Peterlin decided that he wanted to create a wet plate collodion photo, but spent weeks worrying about whether he would be able to accomplish it given the tight schedule of the on-location shoot.

How to Process Your C-41 Film at Home

After almost two years of shooting film nonstop and more than $1,000 worth of expenses on processing and prints, I needed to reconsider my budget and find a way of being able to shoot more and pay less. I thus began to process my C-41 rolls at home. It's extremely easy to do and I‘ll show you today how to do it, step by step.

How to Make Your Own Redscale Film

Redscale is a technique where film is exposed on the wrong side -- rather than having the light hit the emulsion directly, you expose the film through the non-sensitive side.

The name "redscale" comes because there is a strong color shift to red due to the red-sensitive layer of the film being exposed first, rather than last (the red layer is normally the bottom layer in C-41 (color print) film). All layers are sensitive to blue light, so normally the blue layer is on top, followed by a filter. In this technique, blue light exposes the layers containing red and green dyes, but the layer containing blue dye is left unexposed due to the filter. [#]

The two main ways for doing this are loading the film upside down (if your camera allows it), or by purchasing film that has been "converted" already. A third way is to make DIY redscale film by going into a darkroom, pulling out the film, cutting it, flipping it, taping it back together, and then winding it back into the canister. Messy, but it works!

A Tour of Ansel Adams’ Darkroom

Here's a rare behind-the-scenes look into Ansel Adams' home in Carmel, California and the custom built darkroom in which most of Adams' famous prints were created. It's pretty amazing how much editing Adams' did in transforming the plain negatives into the beautiful works of art hanging on walls around the world.