When it comes to the type of glass used in still photography, versus the glass used in motion picture, there’s quite a dramatic difference in design, quality and price. Quite often, it’s the last of those differences that is the most inhibiting for photogs who want to dabble around in motion picture.
Posts Tagged ‘conversion’
It’s hardly news that Google+ is doing its damnedest to secure itself as the social network of choice for the photographic community. And the network’s ability to handle full-size RAW uploads, in addition to the easy-to-manage system and powerful new in-browser editing tools, in many ways already makes it a shoo-in for that title.
But get ready, because Google isn’t done yet. Another update has been pushed Google+’s way, and this time it concerns your RAW photos. Or, more specifically, how good they look when they’re automatically converted to JPEGs for viewing. Read more…
The rumor was true — kinda. Sigma today announced a new Mount Conversion Service for its Global Vision line of lenses that will allow photographers to convert their lens lineups to different mounts if they ever decide to change camera brands (e.g. Canon to Nikon and vice versa).
Unlike what was previously rumored, it’s not a free service: the conversion will cost you a pretty penny — just not as much as you’d pay to buy a new copy of the lens.
When The Impossible Project announced its Impossible Instant Lab back in September 2012, it turned to Kickstarter to raise $250,000 to fund the project. After the Internet got wind of the smartphone-to-instant-photo printing device, the fundraising campaign blew past its goal and ended up with a total of $559,232 from 2,509 supporters.
Older Sigma lenses that were designed for Canon EOS film cameras often don’t work correctly when mounted onto a new EOS digital SLR, even though the newer bodies still use Canon’s EF mount. If you’re an owner of such a lens, you might have heard that you can send it in to Sigma’s service center for them to rechip it in order to make it compatible again.
Did you know that those of you who are handy with electronics can actually do the rechipping yourself at home? Photographer Martin Melchior recently did this with his Sigma 70-210 f/2.8 APO lens, and says that anyone with basic soldering skills can do the same.
MIOPS is a new smartphone-controlled camera trigger that combines all of the features photographers want in a high-speed camera trigger into one convenient device.
Newer Leica lenses have a special lens code on the mount flange of each lens that informs the camera of what’s mounted on it, and allows lens-related EXIF data to be embedded inside photographs. If you have an older Leica lens or a third-party lens on your hands, you might not have this special code, but did you know that you can apply the code manually to a code-less lens using black and white paint?
Remember that slow-motion wildlife footage that consisted entirely of still photos animated with parallax? French photographer Sebastien Laban does the same thing, except with his wedding photographs.
In the video above, all the apparently 3D scenes you see are actually the result of using some After Effects magic on ordinary 2D photographs.
Launched in 1992 and discontinued in 1996, Nikon’s Nikonos RS was considered one of the best underwater photography solutions back in the 90s. The cameras and the 50mm f/2.8 macro, 28mm, 13mm fisheye, and 20-35mm lenses still sell for relatively high prices these days. Unfortunately for Nikon enthusiasts, the RS mount lenses were not compatible with F mount cameras… until now.
Photographer Bryce Hoeper wants to become the Dr. Frankenstein of the camera world. Back in 2011, his experiments with mounting a 102-year-old lens to a Canon DSLR were widely shared across the Web. About a month ago, he created another cam-monster that combines old and new: he combined an old Speed Graphic 4×5 large format camera with a modern Fujifilm X-Pro1 mirrorless camera.