Most people in today’s society have a mobile phone. Most mobile phones have cameras. Anyone and everyone has become an on-the-scene photojournalist, reporting on everything from major news events to the odd and crazy.
Some of these picture-worthy events take place on everyday flights. Shutter-happy passengers, snapping or even video recording the woman on the next aisle over acting unusual or a fellow passenger being disruptive. It’s undeniable that we are curious beings, and want to document and share events we witness. But not everyone is pleased citizen photojournalists.
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Photographer Arne Svenson lives on the second floor of an apartment building in the Tribeca neighborhood of New York City. For his project “The Neighbors,” he pointed his camera at a luxury apartment building across the street and secretly photographed its inhabitants through open windows.
Those photographs are now being sold for thousands of dollars at a gallery in NYC, but it turns out the subjects aren’t very happy with having their images stealthily snapped and sold.
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Samsung found itself in an embarrassing copyright infringement controversy earlier today after the company published a street photographer’s work without permission as an advertisement on its Facebook page. It wasn’t just the unauthorized use of the image that was embarrassing; here’s the kicker: the photograph was actually shot using a Nikon camera.
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Adobe caused quite an outcry from the photography community yesterday after announcing that its future software offerings will only be available through subscription plans to its Creative Cloud service. The main gripe was that the $50/month cost for all the programs in the CC suite–or $20/month for just Photoshop–didn’t make financial sense for independent photographers and smaller photo studios.
Well, the sound of grumbling has reached decision makers over in the San Jose-based company. In a post published on the Photoshop.com blog yesterday, the company revealed that it’s thinking about introducing special Creative Cloud packages geared specifically at photographers.
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A “copyright land-grab” that will “permit the commercial exploitation of [orphan] images” and lead to a “firestorm” of litigation. Those are the terms being used by some to describe a UK bill that just received Royal Assent last week, despite drawing fire from writers and photographers the world over. Read more…
How do you solve the problem of professional concert photographers snapping unflattering photos of you during your live shows? One way is to ban them completely, and that’s exactly what Beyonce is doing with her latest concert tour. Policies like hers may be growing in popularity among artists who want to control their image, but the policy is still causing quite a hoopla.
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Officials over in St. Louis, Missouri are embarrassed and have a bit of explaining to do after it was discovered that a sign banning permit-less professional photography in county parks had been put up “by mistake.”
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A recent Washington Post article has drawn attention to a new trend that is arising among young girls on Instagram; a trend that has both parents and child safety advocates worried. The trend is Instagram beauty pageants, in which young girls submit pictures of themselves using hashtags like #beautycontest or #rateme, and subject themselves to the praise and/or ridicule of their many million Instagram peers. Read more…
Photographer Remi Thornton recently terminated his contract with Getty after finding out that the agency was allowing online retailer CafePress to use his images on potential merchandise without paying an up-front licensing fee.
In fact, according to Thornton, CafePress has an exclusive agreement with Getty, which allows them use any of the agency’s Royalty Free stock to populate their store, while only paying the photographer if the merchandise featuring their image actually sells. Read more…
In PDN’s March issue, the magazine highlighted Cade Martin’s impressive ad work that he had done recently for Tazo Tea and Starbucks. As the main feature, it’s only natural that one of those images ended up on the cover of the issue (pictured above). Not everyone, however, was as thrilled by Martin’s work as PDN.
Photographer Rodney Smith has covertly spoken out about the cover on his blog. In a post titled “The Real Thing,” he calls the image an imitation, and wonders why PDN would choose to applaud work that is, as he puts it, “by it’s [sic] very nature ‘second-rate.’” Read more…
