Bart Zoni of Leica Boss made this short video explaining the main differences between DSLR and mirrorless cameras. He discusses flange focal distance and sensor size, and how the cameras’ differences in those two things affect image quality.
Posts Tagged ‘comparison’
Here’s a great diagram by Mobot that shows how the 41-megapixel sensor inside Nokia’s new 808 PureView phone stacks up against other popular sensor sizes. It’s pretty clear that they didn’t just milk a small sensor for more megapixels as a simply marketing ploy, but instead came up with a sensor that’s significantly larger than those found in other smartphones. Engadget also has a photo showing a comparison of sensor sizes, while Digital Trends has published an article on five reasons why the 41-megapixels isn’t a gimmick.
Devin Coldewey of TechCrunch created this helpful diagram showing the relative sizes of various sensors, including the one found inside the Lytro light field camera (a camera that lets you focus after shots are taken). The FCC published photos of the Lytro camera’s guts last week, revealing that the sensor inside is roughly 6.5×4.5mm (smaller than our previous estimate). This means that it’s slightly larger than the iPhone sensor and slightly smaller than the one in most point-and-shoot cameras.
Another interesting finding is that the chip inside supports Bluetooth and Wi-Fi. The company says that they’re working on wireless connectivity, but doesn’t have it enabled in the initial Lytro camera.
Want to see how far DSLRs have come in the past decade? Lee Morris of Fstoppers published these two photos taken at Super Bowl halftime shows. The crop on the left was captured in 2001, possibly with the Nikon D1H at 2.7 megapixels and ISO 800 (state of the art specs at the time). The slice on the right was from this past weekend, and was shot with a Nikon D3s at 12MP and ISO 12,800.
Image credits: Photographs by Lonny Krasnow/AP and FilmMagic
dpreview has published an in-depth hands-on preview of the new Fujifilm X-Pro1. The image above shows the camera next to a Leica M9-P digital rangefinder, which costs about $8,000 — body only.
It’s not rocket science to work out who Fujifilm are really gunning for – the X-Pro1′s similarity to the Leica M9 demonstrates the company’s refound confidence, having already placed the X100 squarely up against the Leica X1. It’s pretty clear that Fujifilm very much sees the X-Pro1, with its hybrid viewfinder and infinitely-variable framelines, as the modern autofocus reincarnation of the classic rangefinder. Let’s not forget that the company is no stranger to the high-end professional market – it may have had a hiatus of several years, but made a wide range of medium format film cameras.
They also have side-by-side comparisons with other cameras as well.
Fujifilm X-Pro1 Hands-on Preview [Digital Photography Review]
Image credit: Composite photograph by Digital Photography Review
Mirrorless cameras are designed to be compact, but how big are they compared to DSLRs? How big are popular DSLRs compared to one another? Camera Size is a website that helps answer these types of questions. It’s a simple web app that shows you exactly how big digital cameras are compared to one another and compared to reference objects (e.g. a battery).
Photographer Lisa Bettany has an interesting post over at Camera+ comparing the iPhone 4S camera to the cameras on each of the previous versions (and a couple other cameras as well). It’s an interesting look at how much cell phone cameras have improved since the original iPhone was announced at the beginning of 2007.
Last week we shared a sneak peek at some jaw-dropping image deblurring technology currently in development at Adobe. The video wasn’t the best quality and was captured from the audience, so we didn’t get to see the example images very clearly. Adobe has now released an official video of the demo, giving us a better glimpse at what the feature can do.
Here’s a test comparing the 1080p HD video recording capabilities of the iPhone 4S and the Canon 5D Mark II. Vimeo user Robino Films shot the same scenes at the same time with both cameras using a special rig, and then synched the footage together. They also tried to match the exposure, shutter speed, frame rate, and picture style as much as possible.