Chrysler hit a home run this past Super Bowl with its photographic “God Made a Farmer” commercial… so let the spoofs begin. Photo backup service Mosaic create the parody above titled “God Made a Photographer.”
Posts Tagged ‘commercial’
Drive across the west end of the Burnside Bridge in Portland, Oregon, and you’re bound to see the iconic Portland, Oregon sign, commonly known as the “White Stag sign.” It’s an oft-photographed sign that was named a historic landmark back in 1977.
If you were planning on featuring it in a photo shoot, however, you’ll now want to bring your checkbook in addition to your camera — the city of Portland is now charging fees for anyone who would like to use images of the sign commercially.
As we wrote this past Monday, Chrysler scored a major advertising win during the Super Bowl with the commercial above, titled “Farmer.” It’s a simple photo slideshow with Paul Harvey’s “So God Made a Farmer” speech playing in the background.
Despite its simplicity, it has become one of the most talked about ads over the past week, and now new details are emerging regarding its creation.
One of standout commercials during the Super Bowl yesterday was the above ad by Chrysler promoting its Ram line of trucks. The 2-minute ad pays tribute to farmers across the nation, and is composed entirely of photographs showing various facets of the farming industry.
In the background is a famous speech given by radio broadcaster Paul Harvey during the 1978 Future Farmers of America convention, titled “So God Made a Farmer.”
If you were watching the Thanksgiving Day NFL football games on TV today, you may have seen the above commercial promoting the Canon Rebel T4i entry-level DSLR. It’s a humorous ad that asks “When was the last time something inspired you to be creative?” and shows a number of photographers putting themselves in uncomfortable (and unsafe) situations in order to capture the photograph they have in their minds eye.
Earlier this year, we shared a crazy example of how you can make water drops look like they’re frozen in midair simply by passing the water over a speaker and using sound vibrations to sync the drops with the frame rate of your camera. Well, Japan’s largest music channel, Space Shower TV, has taken the idea and turned it into clever commercial. What you see above is ordinary footage using this trick — there’s no fancy CGI trickery, reversal during post, or high-speed camera footage involved.
Here’s something to give you a chuckle as we head into the weekend. It’s a parody iPhone 5 commercial that pokes fun at the fact that the phone has been stretched out in height without any change in width. But instead of being 7% taller, the imagined phone stretches that figure out to 795%. The result is a device that has some pretty interesting photographic applications.
Here’s a brilliant spoof advertisement for the Olympus OM-D mirrorless camera, created “for fun with a friend” by YouTube user spoofyoof (either that, or as a sneaky viral video). It features a simple, yet creative, twist.
Some people think you need a big heavyweight camera to take big heavyweight pictures. Well, not anymore. Meet Olympus OM-D. Small camera, big pictures.
Smaller and lighter cameras are something that’s a huge part of the ongoing mirrorless camera movement, so some camera company should definitely take this idea and turn it into an actual commercial.
(via 43 Rumors)
The World Wildlife Fund created this beautiful commercial with the message “We Are All Connected”. It shows scenes from the human world juxtaposed with strikingly similar scenes from nature.
Check out this blast from the past: it’s a 1986 commercial for the Minolta Maxxum 7000.
The Minolta 7000 was the first successful auto focus SLR using a motor integrated in the camera body. It was released in 1985 together with 11 lenses, 2 flashguns and a complete lineup of accessories. The 7000 featured one AF-sensor, shutter speeds of 1/2000 to 30 seconds, flashsync speed of 1/100s, exposure compensation of +-4EV in 0.5 exposure steps, center-weighted lightmetering and two frames per second film advance. [#]
The AF system was marketed as Maxxum in North America and Alpha (α) in Asia. When Sony acquired Konica Minolta in 2006, it kept the Alpha brand name for its new DSLR system, which used the old Minolta lens mount. Hence, Sony Alpha DSLRs.