The colors you see in these photographs are real — they’re not simply landscapes modified using Photoshop. They’re photographs of tulip fields captured by French photographer Normann Szkop from the air.
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Photographer Philippe Echaroux tells us that he recently completed a photo shoot for a series he calls, “The Pigment Party”. Echaroux’s idea was to capture studio-lit portraits of models posing serenely amidst explosions of colorful powders. After covering the studio with tarps, hanging up a black backdrop, and setting up his lighting, Echaroux had his assistants toss pigment powders of various colors onto the model’s face.
The behind-the-scenes video above offers a look at how it all went down.
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Looking for a photo project to play around with this weekend? Try exploring a technique known as the Harris Shutter. Invented in the days of film photography by Robert Harris of Kodak, it involves capturing three sequential exposures of a scene through red, green, and blue filters, and then stacking the images into a single frame. This causes all the static elements within the scene to appear as they ordinarily would in a color photo, while all the moving elements in the shot show up in one of the three RGB colors.
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Hawaii-based photographer Christy Lee Rogers specializes in creating dreamlike photos of people underwater. Her project Reckless Unbound shows people swirling around one another while wearing colorful outfits. The photos are reminiscent of the paintings of old Baroque masters, who would often paint people floating around in heavenly realms.
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The Impossible Project has partnered up with Japanese music producer and designer Nigo for a limited edition version of its PX 70 Color Shade Film. Instead of its traditional white frames or the newer black frames, the film comes in 10 different colors: yellow, orange, red, pink, lilac, dark blue, light blue, green, black and white. Each pack comes with eight frames with randomly selected colors and costs $25 over at The Impossible Project shop.
PX 70 Color Shade by Nigo Film Edition [Impossible Project]
“Mimicry” is a photo project by Dutch photographers Ilse Leenders and Maurits Gisen that’s based around the idea of uniformity. They write,
The inspiration of the series Mimicry came from the uniformity of the human beings. People from whom the identity is missing and those who are inconspicuous in our society. Just like animals they adapt to their environment. Visually in this series it is shown by the use of similar costumes, position and sex.
Photographer Martin Klimas, whose porcelain figurine photos we shared yesterday, has a series of photographs that look like 3D Jackson Pollock paintings. He spent six months photographing portraits of sound by playing music through a speaker that’s crowned with paint. Klimas dials up the volume and then photographs the paint coming alive from vibrations caused by the sound waves.
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Photographer and makeup artist Nadia Wicker has a beautiful series of abstract photographs titled Ursides in which she captures self-portraits in which her face looks like exploding fireworks. While her method is secret, Wicker says that she uses her experience with makeup — rather than Photoshop — to create the photos.
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Light painting enthusiast Ian Hobson created this psychedelic long-exposure photo entirely in-camera. Can you figure out how it was created?
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The photographs in Nadav Bagim‘s project “WonderLand” might look like paintings or computer generated images, but they’re actually real photographs captured at home using ordinary objects and creative artificial lighting. His tools and props include things like vegetables, plastic bags, flowers, and leaves, and he captures the images using a Canon 60D and 100mm f/2.8 macro lens. Getting his “subjects” into the positions and poses he wants requires countless hours of patient encouraging.
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