This video tutorial, courtesy of Jeff Farmer of XNCreative.com, is a testament to what someone can do with just four still images, Photoshop, Motion, and a whole lot of creativity. The images were shot using a Canon EOS Rebel T2i, and all of the editing and effects work was done in Adobe Photoshop CS4 Extended and Apple Motion. Although Jeff makes it seem very easy, words like “meticulously” clue you in to the amount of time this must have taken to make.
Be sure to stick around till the end when Jeff shows you how to turn the whole thing “otherwordly,” putting a sci-fi spin on the fly-thru.
Back on July 1, 2009, artist Kelly DeLay began a personal project titled “Clouds 365″ with the goal of shooting a photo or video or clouds every single day for a year. After completing his goal 365 days later, he decided to keep going. He has now amassed over 1000 days of documenting clouds, and his popular website (which receives millions of visitors each year) was recently nominated for a Webby Award. In case you’re wondering what DeLay does on cloudless days: not all the photos show actual clouds.
Before We Begin is a project by photographer Christopher Jonassen (whose frying pan photos we featured here) that consists of diptychs showing clouds and cloud watchers. The images capture peaceful “moments of reflection between thought and action.” Read more…
Fine art photographer Mitch Dobrowner wanted to photograph storm systems, so he partnered up with Roger Hill — regarded as one of the top storm-chasers in the world — and was introduced to Tornado Alley. Dobrowner writes,
Words are inadequate to describe the experience of photographing this immense power and beauty. And the most exciting part is with each trip I really don’t know what to expect. But now I see these storms as living, breathing things. They are born when the conditions are right, they gain strength as they grow, they fight against their environment to stay alive, they change form as they age… and eventually they die. They take on so many different aspects, personalities and faces; I’m in awe watching them. These storms are amazing sights to witness…. and I’m just happy to be there—shot or no shot; it’s watching Mother Nature at her finest. My only hope my images can do justice to these amazing phenomenona of nature.
His images certainly do them justice — the stormy landscape photographs Dobrowner has made through these trips are jaw-dropping. Read more…
Ken Murphy has completed his ambitious “A History of the Sky” project, which we first got a glimpse of in March of last year. Wanting to reveal the patterns of light and weather over the course of a year, Murphy installed a still camera on the roof of the Exploratorium in San Francisco, pointed at the sky and snapping a photo every 10 seconds around the clock.
After a year had passed, Murphy made this time-lapse mosaic, with each box — arranged chronologically — showing the time-lapse of a single day. They’re all synchronized by time-of-day, and provide an interesting way of looking how sunrises, sunsets, and weather change over the course of a year.
Tumwater, Washington resident Nick Lippert captured this amazing photograph of Mt. Rainier casting a long shadow across low hanging clouds. It was shot at 7:40 in the morning using a Panasonic Lumix DMC-ZS3. Talk about being in the right place at the right time…
For his project “Cloud Collection“, photographer Rüdiger Nehmzow went about four miles off the ground and photographed clouds through the open door of the plane. With no glass between Nehmzow and the sky to muddy up the shots, the resulting photographs are absolutely stunning. Photos after the break
Space Shuttle Atlantis blasted off for the last time today, the final launch ever for NASA’s Space Shuttle program. 18-year-old Ryan Graff was lucky enough to be flying to Miami as the Shuttle launched, and captured this awesome photograph of Atlantis’ smoke trail using his iPhone.
Need a break from work? Photographer Murray Fredericks created this beautiful 10-minute time-lapse video of clouds forming and dissipating over a body of water. Best when viewed in full screen and in HD.
I was over at Lake Tahoe attending my brother’s soccer tournament this past weekend, and took this photograph from behind the opponent’s goal:
I corrected a few things in Adobe Camera RAW, and this is the resulting image (hover over it to compare):
The difference isn’t too big. I just corrected a few things, and addressed a tiny bit of clipping in certain areas.
At this point, I wanted the sky to be a little darker and for the clouds to be more dramatic. This is where the luminance tab comes in. All you need to do to instantly make the sky more interesting is drop the slider for aquas and blues. In this case, I decided to drop them both to -50 (I like simple numbers):
Here is what this simple edit does to the final photograph (hover over it to compare):
Pretty neat, huh? Play around with the luminance slider, and you can do pretty interesting things with skies.