Are you frequently afraid that you’re falling into the trap of only taking cliché photographs? If so, then Kai from DigitalRev might be able to help you sort it out with this (slightly pretentious) DRTV video on 25 photo clichés that you should stop doing. Read more…
Posts Tagged ‘cliches’
Want to win the most prestigious press photo contest in the world this year? It’s okay if you don’t shoot with the latest camera gear — just make sure your work stands out from things that have come before.
Less than a week ago we featured a viral video called “Sh*t Photographers Say“, which poked fun at the various clichéd expressions commonly uttered by photographers. Now here’s a humorous video by Bernie Kale about the other end of the lens: a compilations of things non-photographers say to photographers.
Thanks for sending in the tip Khalid and Jess!
Photo editor Michael Davis on why clichés win photo contests:
I think one of the dynamics at play is that work that was recognized in the past triggers interest in similar work in the present. In other words, we have this library of images in our minds and when we see images that are similar to the images that we think are great, there’s an association, a connection that is positive. These are derivative images. But instead of being a negative aspect, these images get elevated, often to the highest awards and often without realizing we’re just awarding what worked in the past.
That’s the nature of the cliché: I’m photographing a subject that was deemed good in the past, therefore the photo I make today will also be good. As a judge, the perspective is: This type of photo has been recognized in the past, therefore we should recognize it today.
His advice for photographers looking to break free of subjects that have been beaten shot to death? Do the hard work of researching prior work, and think about breaking new ground in either the subject, story, or storytelling method.
If clichés are so bad, why do they win contests? [Michael Davis]
Back in 1937, art director M.F. Agha wrote a piece in U.S. Camera magazine titled The Hippocratic Oath of a Photographer, which warns photographs not to pursue common photographic clichés that were saturating the industry. It’s an interesting glimpse into what popular photo subjects were back in the day.