Casio’s new EXILIM EX-FR10 action camera, first unveiled about a month ago, is a unique device with a modular form-factor that’s sure to turn heads.
Who said you have to drop big bucks to have some high-speed fun? Well, it definitely wasn’t Joey Shanks, who recently decided to show the Phantom users out there that they’re not the only ones who can do it.
To do this, Shanks rented a Casio EX-F1 high speed camera for a week. Costing him only $100, he combined its high frame-rate with a healthy dose of water and gunpowder to create some interesting high-speed footage with minimal investment. Read more…
The camera in your smartphone is good for a lot of things, and we’re not just talking about Instagram and causing the sad yet inevitable demise of the point-and-shoot; now it can also be used to send and receive secret messages using light. A new Casio camera app called Picapicamera encodes messages or graphics using a sequence of red, green and yellow flashing lights, which another user of the app can then point their camera at to decode. Read more…
Casio is showing off a crazy 2D to 3D conversion service at CES that turns ordinary photographs into three-dimensional sculptures. The service takes a photograph, calculates depth using some fancy technology, and then prints out the result using a proprietary 3D printer. The examples they’re showing off aren’t too flattering though — the dog and cat sample photos were turned into sculptures that look like transdimensional taxidermy.
Image credits: Photographs by Andrew Liszewski/Gizmodo
Setting a new Guinness World Record might be a difficult task for us humans, but is apparently much easier if you’re a camera. A bizarre story that emerged this past week was that Casio’s swivel-crazy Tryx has been awarded a Guiness World Record for being the “Most Adjustable Digital Camera“. The description of the world record reads like something out of a press release:
Instead of a traditional block camera body, the 3-in touch screen LCD on the Casio Tryx digital camera is swivel-mounted inside a frame, upon which the lens and flash is affixed. The screen pops out of the frame and can be swivelled 360 degrees around and through the frame in landscape mode, and swivelled simultaneously 360 degrees on its frame-attached stem in portrait mode, creating an almost limitless number of shooting positions and angle combinations. [#]
Take notice, camera makers: if you want to land a
ad world record in the Guinness Book, simply make a camera that swivels in a bazillion directions!
NEC announced today that they’ve developed “noise suppression technologies” for compact cameras that will clean up the audio in video recordings by canceling out the noise created by the lens zooming in and out. It works by storing a recording of what the zoom noise sounds like to the camera, and subtracting that noise from recorded video. Casio’s new EX-ZR10 will be the first compact to feature this new tech, but NEC promises that it’ll be found throughout the digicam market soon. Enjoy the “ZZZZ! ZZZZ!” sound while it’s still around!
Yesterday we got a sneak peek at a strange multi-dimensionally swiveling Casio TRYX camera, and today it was officially unveiled at CES 2011. The TRYX is a 12.1 megapixel camera that shoots 1080p HD video at 30fps or 240fps slow-motion video at 432 x 320. The unique thing about the camera is that the 3-inch touchscreen LCD can both bust out of its “frame” and also swivel, allowing the frame to be used as a stand and for the screen to point in all kinds of random directions.
CES 2011 is still a couple days away, but camera gear announcements are already making their way out of Vegas, both intentionally or unintentionally on the part of the manufacturers. Engadget outed one of the soon-to-be-announced cameras, the Casio TRYX, after spotting massive advertisements outside a CES building. Apparently it’s a compact camera that sports two hinges — one on the frame and one on the display — that allow it to swivel in funky ways. Presumably the frame swiveling provides a simple stand, while the swiveling display could aid in self-portraits. See more of the shots over on this blog post.
In all my slow-motion work so far, I’ve used a static camera to capture a high-speed event. But, I wondered, what would happen if the camera was the fast-moving object? For instance, if you use a 210fps camera at 35mph, on playback at 30fps it’ll seem to the observer that they’re moving at walking pace- but everything observed will be operating at 1/7th speed.
What I’d hoped to do was film the people on a railway platform from a train as it blasted past, but since the places they don’t stop at tend not to be listed in the timetables, this would be hard to co-ordinate. I figured that being at the very front of a fast train as it approached a stop would suffice; although the ‘frozen in time’ effect is less pronounced towards the end of the video, the platforms at non-stops tended to be mostly empty, so there’d be less to capture anyway. Helpfully, people don’t seem to move too much as their train arrives!
Now someone needs to take this idea to the next level with a Phantom camera and a bullet train.
Thanks for the tip Luke!
Just unveiled at Photokina, Casio’s new EXILIM EX-H20G point-and-shoot is a pretty ordinary 14.1 megapixel HD video-capable camera with a trick up its sleeve: a hybrid GPS system for geotagging your photos. Ordinarily cameras geotag your images with location based on signals from GPS satellites, but become oblivious to where you are if you move to a location where the signals can’t be detected. The EX-H20G attempts to overcome this problem by storing the user’s last known satellite location in the camera’s memory, and then using data from internal motion sensors to calculate where the user has moved to since the signal was lost.
It’s not clear yet how accurate this hybrid system is, or whether the camera needs to stay on for all this to work. If it does indeed work as advertised, then this is a pretty nifty solution to a common problem. The camera will be available in November 2010 for $350.