Posts Tagged ‘car’
When filmmaker Ben Gill recently needed a way to attach his cameras to a car dashboard for a movie he was making, he decided to go the DIY route and come up with a makeshift solution. His resulting mount costed less than $10, and worked quite well. It was created using a car sponge (the kind that looks like a giant peanut) and some rug pad.
Snapping a photograph while driving isn’t the smartest, safest, or easiest thing to do. How then should one go about snapping pictures of the interesting things you drive past without breaking the law or putting people at risk?
This advertising photograph for the new Mini John Cooper Works GP looks like a piece of CGI artwork, but it’s a lot more photo than render. It also looks like it was shot at high speeds, but it was actually photographed at a crawl. Shot during a top-secret nighttime photo shoot at the Circuit Paul Ricard in France, the photo required long exposure photography, fake smoke, gigantic lights, and a fancy moving camera rig.
You know those amazing high speed photos and videos of bullets being shot through various objects? BMW Canada decided to take things a step further and use a car instead of a bullet. They drove a car at top speed across salt flats and had it smash through a giant glass apple, some giant water balloons, and a target. The resulting slow motion footage is quite amazing.
How would you go about photographing a $380,000 Lamborghini Aventador? Here’s an interesting behind the scenes video in which photographer Blair Bunting presents a step-by-step walkthrough of how went about doing it. He uses $60,000 in lighting gear, but also demonstrates how you can achieve similar lighting by light painting with a single softbox. Another neat trick is using a small light and a model car to plan your lighting setup prior to working with the actual car. The finished photograph can be seen here.
Want to get closer to animals when doing wildlife photography? If there’s access, your car can do the trick by serving as a photography blind. Scott Bourne of Photofocus writes,
For whatever reason, most wildlife (birds included) won’t spook or flush when they see a car. Open the car door, step out of the car, now that’s a totally different situation. But as long as you stay in the car, your chances of getting close enough to wildlife to get the shot are improved by 90%.
Last week we reported on a dispute between photographer Jonathan Kent and The Telegraph over the newspaper’s “use first and ask/pay later” policy. After contacting the paper over an image of his that was used without permission, Kent received a response from picture editor Matthew Fearn, who informed him stating that their policy is standard and due to the “ever-shifting nature of news”. In response, Kent wrote up a tongue-in-cheek letter likening the paper’s actions to borrowing a car for a joyride and paying for the use afterward.
Photographer duo Joachim Guanzon and Marden Blake (AKA aesonica) created this short behind-the-scenes video showing how they recently shot and Photoshopped an Audi A4 photo for a print advertisement. You can read a longer how-to over on the aesonica website:
The goal is to make it look as if you had 20+ lights, grids, flags and reflectors to shoot your project. There is nothing better than hearing someone ask how many lights were needed to create your shot and revealing that you used only one. The trick is by doing something that could realistically be done with enough equipment and lighting skill, with only one light.
On the other hand, if you get too carried away, there is nothing worse than someone asking if you used Photomatix to compile your HDR garbage shot followed by “My 13 year-old has that program too!”
YouTube user smithje77 and his dog recently embarked on a cross-country road trip from Seattle to Maine (3,000+ miles!), and he decided to document the journey by programming his Droid X to snap a photograph every 90 seconds (the script is available here). Afterward, he took all the stills captured and combined them into one epic time-lapse video that shows what it’s like to drive from coast to coast.