Inspired by Tor Even Mathisen’s stunning time-lapse of the aurora borealis over Norway, amateur photographer Ágúst Ingvarsson decided to try making his own time-lapse video to show the world what the northern lights look like over Iceland. Using a Canon 7D and Tokina 11-16mm f/2.8 lens, he shot roughly 6,500 still photos between December 2010 and March 2011, using most of the images for this beautiful video.
Posts Tagged ‘canon7d’
Devin Graham shot this beautiful surfing footage using a Canon 7D and a couple lenses (70-200mm and 100-400mm) with a 2x teleconverter, so much of the footage was shot at 800mm. The slow motion is actually “faked” (here’s another faked 7D video) using software:
To get the “super slow motion”, after I filmed at 60fps, I through it into the program “After Effects”. I used an effect that comes with the program called “Time Warp”. This allowed me to make the 60fps, to 1000fps. The way this works is the computer processes/adds frames in between the frames that are already in existence. It took several days for the computer to process the clips into the super slow motion that appears as well, so it does take a lot out of the computer, as far as processing goes.
Here’s some neat camera trickery: Ryan Hargrave captured some unique home video by shooting stills with his Canon 7D in burst mode rather than using the video recording mode. After some post-processing work, he ended up with this sweet video of his children that looks like it was filmed decades ago.
Big, expensive television cameras aren’t the only kind recording the action at the Australian Open. During the Federer vs. Djokovic semifinal match last night, the camera cut to this guy recording Novak with a Canon 7D. Luckily for him, it didn’t get smashed by a broken racquet.
It’s fun seeing cameras accessible to us ordinary folk being used on the big stage.
You may have heard that the Canon 5D Mark II has been used to film an episode of “House” on FOX. Now NBC is using a 7D for an upcoming Christmas episode of “Community”. On Thursday, Dec. 9th, 2010, they’re going old school and doing a Rudolph-esque claymation epsiode. Check out these behind-the-scenes videos and you’ll see a Canon DSLR and lens being used.
MIOPS is a new smartphone-controlled camera trigger that combines all of the features photographers want in a high-speed camera trigger into one convenient device.
If you don’t have the $2,500 needed to rent a Phantom camera for a day but would like to have super slow motion in your videos, you can fake the effect using special software designed for the task. The above video by Oton Bačar was recorded on a Canon 7D at 60 frames per second, but was slowed down to mimic 1000fps in After Effects with Twixtor, a plugin that allows you to speed up or slow down footage smoothly. It uses warping and interpolation to provide smooth results, avoiding the choppiness that you see when you play normal video back in “slow motion”.
Too bad Twixtor is still pretty pricey — a license will set you back a few hundred bucks. Does anyone know of any cheaper alternatives?
Photographer Petra Hall‘s fiancé recently bought a used MG convertible right before going on a vacation. However, on the way back from work the weekend before the vacation was to begin, something in the car exploded and the car went up in flames.
The list of gadgets in the car is enough to make a grown man weep: a Canon 7D, a Canon 24-105L lens, and a MacBook Air. Everything burned up.
In the spirit of the iPhone 4 vs. Canon 7D side-by-side camera comparison video, filmmaker Brandon Bloch has made a wonderfully clever juxtaposition of the Canon 7D and Mattel’s Barbie Video Girl. The Barbie Video Girl alone is a thing of wonder — it’s a really bizarre bionic-looking glitz and glam doll with a camera built into her chest.
The two cameras go toe-to-toe, pitting class against sass — but is Barbie Video Girl as good as the 7D?
UK-based filmmaker Philip Bloom created this beautiful video of Monument Valley, Utah. Blending regular video and timelapse footage, Bloom builds a serene and powerful portrait of the place. Bloom used a plethora of gear to capture the footage, including five cameras – one Canon 5D Mark II to capture video, another 5D Mark II, two Canon 7D, Canon 1D Mark IV, and a Nikon D3s for timelapse. Whew!
You can read more about the photo shoot, see behind the scenes photos and listen to a commentary on Philip Bloom’s blog.