Despite huge advancements in camera technology, plenty of photographers still use DSLRs from the 2010s -- like the Canon 5D series and the Nikon D800s. And while they remain great cameras, mirrorless rules the 2020s.
This past weekend, Canon was planning to launch its 5D Mark III-based CE-SAT 1B satellite camera into orbit, but it was not meant to be. The satellite was supposed to go as part of Rocket Lab's aptly named mission "Pics or It Didn’t Happen," but the Electron vehicle experienced "an anomaly" and all 7 micro-satellites onboard—including Canon's—were destroyed.
"Eyes" is a collection of multiple exposure photos by Leeds, UK-based photographer Ben Dauré. What's impressive about the surreal photos of human eyes is that they were created entirely in-camera rather than with Photoshop.
One of the best April Fools trolls in the photo industry wasn't a troll at all... which made it that much better. Announced as a joke yesterday to many a rolled eye and "suuuure," Magic Lantern has managed to add Super 35mm 4K RAW video recording to the 5-year-old 5D Mark III.
Magic Lantern may soon release their most popular feature since RAW video. A few of the folks who constantly improve the Canon software add-on have just found a way to generate 14-bit lossless DNG RAW files in-camera!
Check this out: what you see above is a highly-detailed Canon 5D Mark III DSLR pendant crafted out of 14K gold. On the front is a 24mm Canon L series lens with a bezel featuring 34 hand-set diamonds.
For the past 8 months, landscape photographer Peter Cox has been taking his camera drone up and down the wild and rugged west coast of Ireland, capturing the beauty of the coastline as its bathed in dramatic light. The 4-minute film above is a "highlight reel" of his journey titled "Atlantic Light."
So far, all of the Sony A7s high-ISO tests we've seen -- from your standard static test to some beautiful production-level footage -- have only shown the A7s. There have been no side-by-side comparisons to show if this really is outperforming the competition substantially, or if it only seems like it is.
The day after the last lunar eclipse we shared a time-lapse with you to help ease the pain if you hadn't had a chance to capture the first of this tetrad of eclipses yourself. The time-lapse was put together by NASA and, while it was better than nothing, it left something to be desired.
Fortunately, photographer Andrew Walker of 599 Productions is here to show NASA how it's done so they can maybe put something better together next time.
After all the videos and examples posted online of everything from RED EPICs to 5D Mark IIs being fried by lasers, you'd think just about everybody in the photo community would know to keep their cameras safely stowed during a show where lasers are at play.
Yesterday, we shared the groundbreaking news that Magic Lantern's a1ex had managed to squeeze 3 more stops of dynamic range out of Canon's 5D Mark III and 7D by using a new feature dubbed Dual ISO. Today, we have a comparison that shows what RAW video shot on the 5D Mark III looks like taken both with and without the Dual ISO feature enabled.
All of the updates coming out of Magic Lantern's camp recently have been RAW video related. And while there has been news enough on that front to keep us excited, we were happy to see something new coming from the ML team today.
Canon today officially launched a new firmware update (version 1.2.1) for the 5D Mark III that brings two notable improvements to the camera: uncompressed HDMI output and the ability to use cross-type autofocus at f/8.
In what may very well be the most exciting Magic Lantern development ever, the team has discovered a RAW DNG output in live view on the 5D Mark II and 5D Mark III. What this means is that, in the near future, 5D Mark II and III owners may be able to record crystal clear 2K RAW video that blows H.264 output out of the water and then some.
Cameras today have many extra functions that are often buried in menus and forgotten. Last year, I bought the Canon 5D Mark III and, after a few months, realized that there were some interesting features I had never played with. After figuring out that there was a way to do in-camera double exposures, I immediately started experimenting. At first it was very hit and miss. (I still hadn’t read the manual.)
If you're a frugal photographer who's constantly searching for ways to save some dough when buying gear, you might want to look into the new Los Angeles-based startup company Greentoe. It's a shopping site that's trying to turn the e-commerce world on its head by taking pricing power from merchants and putting it into the hands of consumers.
Basically, it's a site that lets you buy camera gear at prices you want to pay.
We already know that buying 'new' camera gear online is no guarantee that you're actually getting something new. Even when the source seems to be trustworthy (ala Amazon), you just never know.
This isn't a biggie as far as camera issues go, but there are a few photographers reporting some strange discoloration on sections of their Canon 5D Mark III that makes the camera look like it's a lot older and more beat up than it actually is.
If you’ve been wondering how the Canon 6D compares to the 5D lineup in terms of size, control layout, …
This past October, Canon addressed a big complaint photographers had about the 1D X by releasing a firmware update that introduced AF illumination (kinda) for shooting in dark environments. However, it wasn't only 1D X users that were complaining about the AF point visibility... 5D Mark III users were -- and are -- as well. If you own a 5DMk3 and have been waiting patiently for your own AF update, there's some good and bad news for you: Canon is reportedly working hard on the issue, but it might not be possible to implement the same feature given the way your camera is designed.
Ever since the Canon 1D X and 5D Mark III were released, photographers have been complaining about sometimes not being able to see the black AF points in the new 61-point system. In July we wrote that Canon was reportedly working on a fix. It now looks like the fix may soon be upon us, in the form of a firmware update.
A press release announcing the new firmware appeared briefly on Canon's website today but was quickly taken down once the news started getting around. The release mentioned two impending upgrades to the 1D X: red AF point illumination and cross-type autofocusing at f/8.
What would you capture if you had a day off on a hot summer day with $300,000 worth of …
We live in strange and exciting times in which phone camera photos can be compared side-by-side with top-of-the-line DSLR photos without anyone laughing (too hard). Having just gotten his hands on a shiny new iPhone 5, photographer Dustin Curtis decided to test out its camera's quality by pitting it against his Canon 5D Mark III (with a 50mm lens fixed at f/2.8).
Ever since people started getting their hands on the 5D Mark III and the 1D X’s 61-point AF system, …
Photographer Jeff Cable purchased a couple Canon 5D Mark IIIs recently and discovered …
Can’t decide between the Canon 5D Mark III and …
Canon has received some pretty bad publicity over the past month due to the 5D Mark III’s …
The folks over at NoFilmSchool recently did a low light comparison of the Canon 5D Mark II, Canon 5D Mark III, and Nikon D800. The cameras were used to film the same dark candlelit scene with the same settings, and the ISO was slowly pushed up to the cameras' respective limits.
Over the last couple of weeks we've covered every aspect of the Canon 5D Mark III "light leak" issue. Starting initially as a rumor, Canon eventually confirmed that the camera's top LCD did, in fact, alter the exposure reading by 1/3 of a stop in dark environments. A week ago the company even put shipments on hold while they investigated the issue more extensively.
Camera rating business DxOMark has published its in-depth sensor review for the Canon …
Canon has begun informing retailers in the UK and …
A quick update on the “light leak phenomenon” on the 5D Mark III that Canon confirmed last …
Earlier this month, reports started emerging that Canon's new 5D Mark III DSLR has a "light leak" issue. Photographers found that turning on the LCD backlight in a dark room directly affects the camera's metering system (as seen in the video above). Canon published a product advisory today acknowledging the issue, saying,
In extremely dark environments, if the LCD panel illuminates, the displayed exposure value may change as a result of the AE sensor’s detection of light from the LCD panel.
The phenomenon [...] has been confirmed when using the Canon EOS 5D Mark III Digital SLR Camera. Canon is now examining the countermeasures and once the countermeasures are decided, we will post the information on our Web site.
Problem is, the issue isn't limited to the LCD's backlight in a dark room. Apparently any light (e.g. sunlight) shining onto the LCD screen can affect exposure.
Last week camera testing service DxOMark announced that the Nikon D800 had earned the highest sensor quality score ever awarded. Roger Cicala of LensRentals wanted to see for himself how much of an advantage the D800's 36.3MP sensor had over its competition, so he did some sensor resolution tests on the camera, comparing it to the Canon 5D Mark III, 5D Mark II, and Nikon D700. His conclusion?
[...] there’s no question the D800 can actually get those pixels to show up in the final product (assuming your final product is a big print – they’re going to be wasted posting on your Facebook page). But you’d better have some really good glass in front of it. I don’t think the 28-300 superzooms are going to cut it with this camera.
In the real world, highest possible resolution is nice to know about and talk about, but usually not of critical importance compared to other factors. You’ll be able to make superb images with any decent lens for an 8 X 10 or even 11 X 16 print. But if you’re getting the camera because of the resolution, it makes sense to know which lenses will allow all of that resolution to be utilized. Just in case you get that job that needs billboard sized prints.
YouTube member eaglejm shot this video in downtown St. Louis to show the …
Japanese website mono-logue released this short 30-second video comparing footage from the Canon 5D Mark II and the new 5D Mark III captured at ISO 12,800. The difference in noise levels is remarkable (be sure to watch it full screen and in HD).
Canon has officially taken the wraps off its new 5D Mark III DSLR, a followup to the 5D Mark II that offers a feature set that sits somewhere between its predecessor and the soon-to-arrive 1D X. The camera packs a 22.3MP full-frame sensor, the 61-point AF system found in the 1D X, 63-zone metering, an ISO range of 100-25600 (expandable to 50-102400), 6fps continuous shooting, a 3.2-inch LCD (1.04M dots), and 100% viewfinder coverage (up from 98%).
We're less than 24 hours away from the official Canon 5D Mark III unveiling, but official product photos and a detailed spec list of the camera have already been leaked onto the Internet. The photos are consistent with the pictures of the camera in the wild that leaked earlier this week.
We're on the verge of seeing the successor to the Canon 5D Mark II, the 5D Mark III, and photos and specs are already starting to emerge ahead of the camera's rumored March 2nd announcement. The camera will reportedly have a 22MP sensor, 61 autofocus points, 100% viewfinder coverage, a 3.2-inch LCD screen, dual CF/SD slots, and a price tag of around $3,500.
Photographer Stephen Oachs over at Aperture Academy caused quite a stir yesterday after sharing some photographs he took of a Japanese photographer he spotted in Kenya. The photographer revealed that he was field testing a new Canon 200-400mm with a built-in teleconverter, but what caught Oachs attention was the camera body the man was using -- a Canon DSLR that he didn't recognize. He writes,
You can see it in the photos I took... I see the "Q" button located by the big wheel on the right, which on the 7D is currently located on the top left. The battery grip seems to have a joystick. I also noticed a "Rate" button...hrm, any ideas?
Is this the new 5D Mark III, or maybe the 7D Mark II? This info I was not able to determine.