Surf wear maker Rip Curl recently teamed up with Timeslice Films for an ambitious project of shooting surfers in “bullet-time“, the effect that many people first saw in The Matrix. They used a crazy camera array of 52 Canon 5D Mark II Rebel DSLRs in order to capture the same shot from 52 different angles, stringing them together for the final footage.
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Back in 2009 there were rumors that the upcoming Iron Man 2 would make use of Canon’s 5D Mark II DSLR for certain scenes, and now details are emerging as to how exactly the the camera was used.
Cinematographer Matthew Libatique used 5D Mark II DSLRs to shoot parts of the Monaco Grand Prix scene in the movie in which Tony Stark is attacked by Ivan Vanko (AKA Whiplash) at the historic race. 5D Mark IIs were mounted to all four sides of a moving vehicle to capture moving background plate footage that was later combined with race car footage shot in Hollywood.
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Photographer Timur Civan had a project that required vintage-looking photographs. Originally planning to shoot the project on a 4×5 large format camera, he abandoned that route after calculating the cost for equipment and processing. His lens technician friend then discovered a 1908 Wollensak 35mm F5.0 Cine-Velostigmat hand-cranked lens in a box of spare parts, and spent 6 hours helping him make the lens fit on an EF mount for Civan’s 5D Mark II.
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So this is what a Canon 5D Mark II looks like on the inside. This anatomy illustration was done by concept artist Mads Peitersen, who created similar illustrations for other popular devices as well. Peiterson tells us,
The idea was that these gadgets are becoming so advanced and cool today that we almost treat them as if they were alive. In a way users become attached to them. You kinda begin to see yourself as connected to these brands or gadgets. They almost become an extension of yourself or your hands.
The metaphor is that a really rather simple and very dead gadget gives people a feeling of being more present, more alive. And in this case, the camera even sees and captures life.
Maybe this is what a Zerg version of the Canon 5D Mark II might look like…
(via Gizmodo)
Image credit: Illustration by Mads Peitersen and used with permission
Remember back in April when we shared a story in which an Octopus stole a point-and-shoot camera and led the owner in a 5 minute chase? Well now there’s a story that’s crazier and bigger in almost every aspect.
Travis Matteson was recording underwater footage of manta rays during an underwater night dive off Kailua-Kona, Hawaii, when a gigantic manta ray suddenly approached and stole his Canon 5D Mark II underwater rig worth about $10,000. Luckily, another cameraman was nearby to capture the whole incident on film.
With the camera still running, the manta ray made a 8 minute run, and finally dropped the gear off completely undamaged just yards from the dive boat. Apparently the manta ray just wanted to contribute some footage of its own.
You’ve most likely seen HDR photographs before, but how about HDR video? The above is a demonstration of HDR video by Soviet Montage, created using two Canon 5D Mark II DSLR cameras. Both cameras recorded identical scenes using a beam splitter, and captured the footage at different exposure values (over and under exposed).
We’ve posted HDR videos before, but they were created using stop-motion, so the process was more traditional. This is also the first time we’ve seen an HDR video of a person.
What do you think?
(via Engadget)
Expensive camera equipment getting destroyed seems to be a reoccurring theme this month here on PetaPixel. Early in the month there was the story of the 7D getting burned up in an exploding car, and earlier this week we shared a DigitalRev video of DSLRs getting abused tested for durability.
If the DigitalRev video got you mad, then this one might infuriate you. For whatever reason, photographer Cyril Helnwein decided to fire-breathe onto his Canon 5D Mark II and burn it up, posting a video of it to YouTube’s “comedy” category.
Video after the jump…
Here’s a really astonishing stop-motion video of a guy walking across America. Peter Cote, director Sam Griffith, and the Conscious Minds Productions crew approached Levis jeans for sponsorship and products to use during the shoot. The trip began June 17 in New York and ended July 1 in San Francisco. For the actual photography, the crew used a Canon 5D. Read more…
This music video may not have the suave nature of the single-take Old Spice commercials, but then again, neither do the unlucky men who fall victim to their runaway love interest. Plus, musician Tim Halperin had this video made for his song, “She Runs,” with a budget of a mere $500. The video was shot with a Canon 5D Mark II.
Jonathan Combs, who directed the film alongside Joe Childress, said:
We took 3 days to build and 1 day to shoot. Most of the wood for the rolling stages was donated/lent as well as the set items. Most of the money went towards casters so that the stages would roll properly when we started putting set decoration and actors on top of them. We had an average of 10 people on the build days and a total of about 40 people (including actors) on the actual shoot day. This still didn’t seem like enough. Everyone pulled double duty. We had actors holding set pieces, running to do their scene, then running to hold more set pieces. Brooke Peoples (our leading lady) had 3 wardrobe changes and 4 scenes. She also had to make most of these changes within seconds so she could be in her back to back scenes. Tim had 2 wardrobe changes and three scenes. The biggest move was the ending shot. By that time we’re 40 yards away from where we started so the red curtain, stage, piano, and audience all had to be moved in behind the dolly. It was mass chaos outside of the frame.
You can read more from Jonathan Combs on Planet 5D and watch the behind-the-scenes video below:
Outdoor Photography Canada magazine’s latest cover features a photograph that’s pretty unique. It’s not the subject matter, but rather how the image was captured: photographer Paul Burwell captured the photo on his Canon 5D Mark II at ISO 3200.
On his blog, Burwell writes,
It’s my shot of a Kermode “Spirit” Bear and there is an accompanying article inside about a trip I lead last fall to photograph these wonderful and uniquely Canadian bears. This isn’t my first cover shot on a magazine, but it is one I’m particularly proud of as I believe it may be one of the first cover shots ever published that was made at ISO 3200.
He was using a 500mm lens wide open at f/4, with a shutter speed of 1/400th of a second. The composition works quite well, but the high ISO is noticeable in the desaturated colors and noisiness of the image.
What do you think of this cover shot? Do you know of any other covers that featured high ISO images?
(via Planet5D)
Update: Cildydd points out that a photo shot at ISO 100,000 was published on a magazine cover in France.
