Kevin McGloughlin of Sligo, Ireland created this captivating music video for the song “Never Knew” by Sunken Foal. He tells us his use of “lights and bokeh in an unconventional way” recently got his project selected as a Vimeo Staff Pick.
Posts Tagged ‘bokeh’
In one of those rare more-informative-than-funny
Top Gear DigitalRev episodes, Kai tries to help beginners decide what they should buy for their first prime: a nifty 50mm, or a more versatile 35mm. Read more…
Want a blurry background for your portraits on-demand, whether or not you’re using a fast lens? Or maybe you are using a fast portrait lens, but you want to shoot with it stopped down to the sharpest possible aperture without sacrificing that beautiful bokeh you’re going for.
Late last night, Fuji released an updated version of its lens roadmap, switching some things around, adding a lens to the lineup, naming the ‘ultra-wide angle lens’ from the previous roadmap, and otherwise letting X-Mount shooters know what they’re in for glass-wise through the end of 2015.
And what they’re in for, by the looks of it, is lots and lots of bokeh. Read more…
If you have a friend who just got into photography and they ask you to recommend a first lens to buy in addition to the standard kit lens, chances are very good you’re going to tell them to go prime. Of course, their next question will inevitably be ‘why?’
When that question comes, just point them to this great short video by photographer Toby Gelston. In it, Gelson outlines five reasons why a prime lens should be taking up space in their new gear bag. From value to that bokehliciousness, Gelson covers all of the basics so that you don’t have to.
If you’re a longtime reader of this blog, you may have noticed that our news editor DL Cade has been running the show as of late. Here’s the reason: for the past 3-4 months, I’ve been hard at work building a new website and service — one that we’re finally revealing to the world today.
In the past, we’ve shared a few creative ways to take your fireworks shots to the next level. Be it shooting hand-held long exposures for an abstract result or refocusing during a long-exposure, the results can be quite stunning.