Nikon has a support page for people who wonder why the company hasn’t added sensor-shift image stabilization to its DSLRs. The first point is that stabilizing the image before it enters the camera allows the user to see exactly what the sensor “sees” through the viewfinder, and allows the autofocus and metering sensors to take advantage of this stabilized image as well. Secondly, they state that they can optimize the system for each lens to achieve finely tuned stabilization that gains extra stops of light over sensor-based systems.
Why is ‘in-lens’ VR superior to ‘in-camera’ VR? (via Nikon Rumors)
Runners in broad daylight aren’t often captured as motion blurs, but that’s exactly how Flickr user Justin (just big feet) shot the London Marathon. Just stick a neutral density filter or two onto your lens to restrict the amount of light entering your camera, allowing you to shoot at slower shutter speeds.
At SIGGRAPH 2010 in Los Angeles last month, Microsoft researchers showed off some new technology that improves existing digital blur reduction techniques by outfitting a camera with motion detecting sensors.
The team created an off-the-shelf hardware attachment consisting of a three-axis accelerometer, three gyroscopes, and a Bluetooth radio, attaching the setup to a Canon 1Ds Mark III camera. The researchers then created a software algorithm to use the motion information captured during the exposure to do “dense, per-pixel spatially-varying image deblurring”.
Here’s a useful resource I found a while back that many of you might find helpful. SLRGear.com is a website that conducts comprehensive tests on camera lenses, and publishes them in the form of diagrams and illustrations.
One of the features my friends and I have found most useful is the blur index illustration that it provides. This interactive chart helps you find the “sweet spot” for your lens, showing you where the lens is sharpest as you choose a specific focal length and aperture.
From the screenshot above of the Canon 24-70mm blur index chart, you can see that there is a sizable “sweet spot” of sharpness in the center of the frame at 35mm f/2.8. As you move towards the outer edges of the frame, there is less sharpness and more blur. Most of the time you will find that lenses have the largest sweet spot at f/4.0 to f/5.6. If you increase the f-number beyond that, you start losing sharpness again.