Posts Tagged ‘associatedpress’
Yesterday, Instagram announced that it had reached an impressive 100 million users, but the Instagram news making headlines today is only concerned with a select few of those.
That’s because those select few, including the AP’s David Guttenfelder and Jean Lee, have begun uploading the first ever Instagram photos from inside North Korea — giving us an intimate glimpse at daily life inside the very closed off country. Read more…
The Associated Press caused a stir this week after publishing the above photograph of presidential hopeful Mitt Romney. Shot at Fairfield Elementary School in Virginia, the photo had the caption,
Republican presidential candidate, former Massachusetts Gov. Mitt Romney poses for photographs with students of Fairfield Elementary School, Monday, Oct. 8, 2012, in Fairfield, Va.
The caption was innocent enough, but the fact that the photo looked as though a girl behind Romney was gaping at his rear end instantly drew criticism from across the web, with commentators calling it “unflattering” and “inexcusable“.
Shepard Fairey avoided jail time after all. The Obama HOPE poster artist was sentenced today to two years of probation and a $25,000 fine for using an AP photo without permission and then destroying evidence to cover his tracks. The New York Times writes that the entire dispute will be an interesting case study for fair use law:
When the case began in 2009, Mr. Fairey argued that his use of Associated Press imagery constituted fair use under copyright law. But the civil lawsuit was settled before that question was decided, and the two sides agreed to financial terms that were not disclosed. The parties also agreed to share the rights to make posters and merchandise bearing the “Hope” image. Mr. Fairey maintained that he had never personally profited from sales of the image, a contention The A.P. disputed.
[...] Until the settlement between Mr. Fairey and The Associated Press, the case was watched closely as one that might define more clearly the murky issues surrounding the fair-use exceptions to copyright protections. One of the central questions was whether Mr. Fairey’s creation, which became ubiquitous on street corners and T-shirts during and after Mr. Obama’s campaign, constituted a “transformative” use of the photograph, a use that is allowed under the law so that creative expression is not stifled.
In his official statement on the matter, AP CEO Gary Pruitt states, “We hope this case will serve as a clear reminder to all of the importance of fair compensation for those who gather and produce original news content.”
Well, there’s no question about it: photography is going to the robots — or at the very least Olympic photography is. First we saw Getty Images and the robotic rigs it was working on (among other things), then there was the Associated Press and its robots, and now we have a making of video from AFP showing off the D4 wielding rigs its photogs will be using.
On the one hand, it would seem Skynet will be very well equipped to photograph its future takeover. On the other, if you’re not threatened by the advent of robotic photography, this video is pretty cool.
This behind-the-scenes video by the Associated Press gives a neat look at the various robotic cameras the agency will use at the London Olympic Games (earlier this month we shared some of Reuters’ rigs). Fancy remote-controlled rigs will allow for many photographic firsts, as cameras will be found in locations that were previously inaccessible. Wired writes that despite their usefulness, robotic cameras are causing some human photogs to sweat:
“We are essentially able to put cameras and photographers where they’ve never been before, capturing images in ways they’ve never been captured,” [Fabrizio] Bensch said. “For example, I’ve installed a robotic camera unit on a truss, 30 meters high — in a position where no photographer has been in a previous Olympics.”
For [Mark] Reblias, those are positions you just can’t compete against. With the traditional remote-control cameras, if the subject showed untethered joy five feet out of frame, you were out of luck. Now if Reuters is able to get that shot, “well, there’s nothing I can do,” he said. “Maybe I’ll have to upgrade my gear and make a robotic system. It’d be expensive, it might be a cost I have to take on.”
When it comes to photography agencies, Getty Images reigns supreme. Founded in 1995 by Mark Getty and Jonathan Klein, the Seattle-based behemoth in many ways took stock and editorial photography into the digital age, causing the slow decline of “former-rulers” like the AP. Between Getty’s editorial supremacy and the rise of an era where photojournalists find themselves replaced sometimes by average Joe’s with smartphones, the last few years have consisted mostly of the AP trying to staunch the bleeding. But now it seems they’re ready to fight back. Read more…
Most people are familiar with the famous Tank Man photo taken by AP Photographer Jeff Widener as tanks rolled into Tiananmen Square on June 5th, 1989. Taken from a 6th floor balcony of the Beijing hotel, the iconic version we’ve come to know is only one of 4 very similar photos taken that same moment.
The AP has sacked photographer Miguel Tovar for “deliberate and misleading photo manipulation” after Tovar cloned out his own shadow from a feature photograph. The Photoshopping came to light after an alert photo editor spotted a strange looking dust pattern in a photo of Argentinian children playing soccer.
The AP published an article yesterday titled “How Much Longer Can Photographic Film Hold On?” that gives a pretty grim outlook for the future of film. About a decade ago, Americans were purchasing close to 1 billion rolls of film and 19.7 million film cameras every year. This year, only about 20 million rolls will be sold and film camera sales may fall below 100,000.
For InfoTrends imaging analyst Ed Lee, film’s fade-out is moving sharply into focus: “If I extrapolate the trend for film sales and retirements of film cameras, it looks like film will be mostly gone in the U.S. by the end of the decade.”
As high schools and colleges find the rising costs of analog photography prohibitive, they’re transitioning to a completely digital curriculum and shutting down their darkrooms, further reducing the demand for film. Film lovers, enjoy it while it lasts!