Posts Tagged ‘analog’
A number of years ago, England-based photographer Dave Miller wanted an at-home darkroom, but didn’t have the luxury of converting a spare room in his house into one. He did, however, have a nice garden area that wasn’t being used, so he decided to upgrade the grassy area with a shed — a darkroom shed.
This is compiled from the box tabs of every single roll/pack of film I shot in 2012.
Since 2001 I’ve kept a tab from every roll of film I’ve shot in the backs of collage-based photographic journals. In the mid-2000’s I was shooting some 500 rolls a year- I’ve cut back to about 300 or so the past two years. A complete visual collection of all the box-tabs from the past dozen years would result in a much larger image.
It’s like a stamp or sticker collection book for photographers. You can find a larger collage of the photos above here.
P.S. A giant poster-sized collage of box tabs might make for a pretty wild home decor item.
If you shoot film and aren’t much into chemicals (or don’t have a basement in which to keep a gigantic 5×7″ enlarger), you’ll soon find yourself needing a way to import those beautiful pictures you’ve taken onto your computer. What? Why didn’t I say, “you’ll need a scanner”? After all, it’s not 1987 anymore — scanners are as common as toaster ovens.
Well, I didn’t say “a scanner” because it’s not the only way you can digitalize those pictures. Indeed, even though it’s the first (and often only) technique most people will think of, it is also the most inefficient and time consuming. And it can lose a lot, I mean a lot, of the quality of the original slide or negative.
Whoa… Big news on the camera patent scouting front today: Nikon appears to be tinkering with the idea with creating a special 35mm SLR replacement back that would turn a film camera into a digital camera!
San Francisco resident Ryan Tatar is passionate about two things when he’s not sitting at his desk at a Silicon Valley tech company: surfing and photography… and usually a combination of the two. He has attracted a good deal of attention in both worlds with his lo-fi photographs of surfers, captured with old analog cameras and expired and/or cross-processed films.
In the short video above, Tatar talks about his love for analog photography and introduces us to what he does.
The Economist has published an article on photographic film’s “transition from the mass market to the artisanal,” writing that the future is bleak for film as we know it:
Consumers and professionals ditched film first. Then health-care services, which used it for X-rays, shifted to digital scans. The final blow came with the film industry’s switch to digital projection. IHS iSuppli [...] estimates filmmakers consumed 2.5m miles [...] of film each year for the distribution of prints at its height. That was just a few years ago. By 2012 this plunged by two-thirds. In 2015 it will be next to nothing.
I was standing at the top of the stairs in the Suzzallo Library on the University of Washington campus, looking down at my phone when someone tapped me on the shoulder from behind. I turned to see an older gentleman who gestured towards the hardwood box resting on the handrail of the stairway.