The photograph above is reportedly the world’s largest piece of long-exposure light art. It was created by light painter Michael Bosanko in a 35,000-square-foot aircraft hangar in Coventry airport in October 2012. Read more…
A decade ago, photographer Andrew Filer obtained the most detailed map of North Dakota he could find, and began a project of documenting the towns on it. Not just some of the towns, but every single named dot on the map. After years of dedicated work, Filer succeeded in photographing the entire state. He ended up visiting over 850 different locations and snapping 9,308 photographs. Read more…
How creative could you be if you could only photograph through a single window your house? That’s the kind of self-limitation South Korean photographer Ahae placed on himself. His photography, titled Through My Window, features a million nature photographs captured over the past two years through a single window in his studio. He snaps a staggering 2,000 to 4,000 from his window every single day, rain or shine, documenting the story of the landscape and wildlife through that single point of view. Read more…
Back on July 1, 2009, artist Kelly DeLay began a personal project titled “Clouds 365″ with the goal of shooting a photo or video or clouds every single day for a year. After completing his goal 365 days later, he decided to keep going. He has now amassed over 1000 days of documenting clouds, and his popular website (which receives millions of visitors each year) was recently nominated for a Webby Award. In case you’re wondering what DeLay does on cloudless days: not all the photos show actual clouds.
Los Angeles-based photographer Ian Ruhter creates amazing photographs using a van that he turned into a gigantic camera. He uses the collodion process (AKA wet plate photography) to turn large sheets of metal into photographs, and spends upwards of $500 making each giant one-of-a-kind print. Read more…
For a fine arts project at his university, art student Joel Brochu spent a whopping 8 months meticulously recreating a photograph using tiny nonpareils (the tiny sprinkles used on cakes and donuts). 221,184 individual sprinkles were placed on the 4-foot-wide board, which was covered with double-sided tape and a thin layer of glue. Each sprinkle was placed by hand using jewelry tweezers. Read more…
Ken Murphy has completed his ambitious “A History of the Sky” project, which we first got a glimpse of in March of last year. Wanting to reveal the patterns of light and weather over the course of a year, Murphy installed a still camera on the roof of the Exploratorium in San Francisco, pointed at the sky and snapping a photo every 10 seconds around the clock.
After a year had passed, Murphy made this time-lapse mosaic, with each box — arranged chronologically — showing the time-lapse of a single day. They’re all synchronized by time-of-day, and provide an interesting way of looking how sunrises, sunsets, and weather change over the course of a year.
It’s not a microscope stop-motion animation, but this stop-motion ad Kia created for its 2012 Picanto is pretty incredible. Over the course of 25 days and nights, they used 1200 bottles of nail polish to paint 900 individual fake fingernails. Each nail took a whopping 2 hours to paint.
Facity is an online photo project in which photographers from cities around the world submit portraits documenting faces found within their respective cities. The project, which started at the end of 2008 in Berlin, has grown to 88 photographers in 58 different cities, and currently publishes 10-15 new portraits per day.
Facity attempts to ensure a similar look across each submitted portrait by publishing aesthetic guidelines they call the FACITY manifest. These rules govern everything from lighting (indoor natural light) to equipment (50mm lens at f/2.8), and seem to be quite effective at standardizing the style of submitted portraits.
One thing we noticed was that Facity photographers have quite a knack for capturing brilliant expressions on the faces of babies:
If you’d like to participate, you can volunteer to be either a model or a photographer. The only requirement for being a model is that you need to live in a city that has a photographer, while volunteering as a photographer requires that you create at least one portrait per week for six months.
A History of the Sky is an ambitious project by San Francisco-based artist Ken Murphy that aims to create a gigantic mosaic of 365 time-lapse videos of the sky – one for each day of the year.
Time-lapse movies are compelling because they give us a glimpse of events that are continually occurring around us, but at a rate normally far too slow to for us to observe directly. A History of the Sky enables the viewer to appreciate the rhythms of weather, the lengthening and shortening of days, and other atmospheric events on an immediate aesthetic level: the clouds, fog, wind, and rain form a rich visual texture, and sunrises and sunsets cascade across the screen.
Currently a work in process, Murphy uses a camera installed on the roof of the Exploratorium in San Francisco to capture a photograph of the sky every 10 seconds. The photographs from each day are then combined into a 6-minute time-lapse movie.
Once the project is complete, the 365 time-lapse movies will be combined into a mosaic, with each of the movies playing in parallel. Since the time of day in each movie is the same across all the movies, the viewer is able to see the graduate shifting of sunset and sunrise times.
To get a sneak peek of what the final result will be like, check out this video created with 126 days:
Murphy’s next step is to build a display for the project using a set of HD monitors arranged side by side.
I want viewers to be able to stand back and observe the atmospheric phenomena of an entire year in just a few minutes, or approach the piece to focus on a particular day.
If you’d like to support his efforts, he’s created a project on Kickstarter to raise funds for this display.