Posts Tagged ‘allenmurabayashi’
In an insightful essay about the “graying” of photography, Kirk Tuck opines about seeing 50-year old men proudly displaying their huge DSLRs while hanging out at the counters at the Photo Plus Expo in New York last month. The generation that obsessed over pristine primes, low noise and 16×20 prints has been supplanted by a gaggle of Snapchatting millennials for whom photography is no different than a text conversation. Read more…
Last Friday, WPPI Director Jason Groupp announced that Jasmine Star and Doug Gordon withdrew from next year’s conference in light of all the controversy surrounding allegations of plagiarism.
I advocated for this move with many others who saw their transgressions as a violation of trust that affected the entire industry. The outcome seemed proportional to the infraction, and I saw no reason to urge further action. I have no vitriol against either Jasmine or Doug, I just think we all have to own up to our mistakes, pay the piper, and move on. Read more…
I am not anti-Instgram, nor am I anti-cellphone photography. But there is a tendency to believe that the art filters that are readily available with many cellphone photo apps somehow “improve” reality. Many of the frequently used filters either significantly boost color saturation, or try to give the appearance of an antiqued, polaroid-esque photo.
But this doesn’t mean it’s better than a more true-to-life image. To prove my point, here are a few iconic photos “re-taken” with art filters a la Instagram. Do you agree?
A little over a month ago we featured an extended interview with long-time Newsweek Photo Editor Jamie Wellford. It was a longer video than we usually put up but very educational and well worth an hour of your time. And now Photoshelter has put together another long interview/webinar as part of their “What Photo Buyers Want” series, this one with National Geographic Senior Photo Editor Elizabeth Krist.
In the video, Photoshelter’s Allen Murabayashi goes in depth with Krist about the her background, NatGeo as a whole, and how the magazine goes about selecting from the many thousands of photo submissions they receive on a daily basis. If you’re into National Geographic photography and hope to maybe make a career of it some day, this is an hour of insight you won’t wanna miss.
Although everyone has an opinion on Facebook’s purchase of Instagram for $1b, I think we can all agree: Instagram is terrible for photographers (Gotcha). Why? Let’s count the ways.
It might sound strange to use the verb “Love” in the title of a rant. But here goes.
I love photography.
Why am I telling you this? Isn’t it self-obvious? Don’t we all love photography? The answer is no. There is a percentage of photographers who hate photography. They do not appreciate photography. They do not consume photography. They don’t look at photo books or photo magazines. They hate the guy with the iPhone taking Instagram shots. They hate the guy who just bought the D4 because they don’t have one. They hate people using digital because film is what real artists use. They hate photographers who embrace social media because images should stand on their own. They hate Getty, Corbis, the AP, day rates, photo editors, assistants, rental houses, camera stores, point-and-shoots, iPads, zoom lenses, padded camera straps, wheeled suitcases, younger photographers, older photographers. The photo of so-and-so on the cover of whatever it’s called sucks. That guy copied the other guy, he sucks. Terry Richardson sucks. Chuck Close sucks. Vincent Laforet hasn’t taken a still in 17 years. Kodak hasn’t been managed well since the 70s. Blah, blah, blah.
I love photography. Let me show you why.
Allen Murabayashi is the co-founder and CEO of PhotoShelter.
PetaPixel: Can you tell us a little about yourself and your background?
Allen Murabayashi: I was born and raised in Honolulu, and had a pretty early love affair with photography. One of my childhood friends, Jon Emura, had a neighbor who had us over one weekend afternoon to show us how to use an SLR and light meter. After that, my dad let me borrow his Olympus OM-10 to take pictures.
When I was in 7th grade, my parents took a trip to Hong Kong and got me an Olympus OM-4, and I was in Heaven. I wasn’t a great photographer, but I was always taking pictures from junior high onwards.