adamremsencolumn

Imitation vs. Copying in Photography: The Issue of Derivative Works

On Saturday, PetaPixel ran the story of a photographer whose photo had been imitated to a surprisingly thorough degree by a German ad agency. While a poll on that article suggested that a clear majority (~74%) of respondents saw it as unethical plagiarism, I thought I’d dig into the legal aspects a bit.

How to Read a Licensing Contract as a Photographer

So you’ve spent years honing your photography skills, perfecting the art of puppy fashion photography. You’ve set up a website to share your marvelous work with the world, and one day you’re contacted by a corporation who wants to use one of your photos in its ad for doggie perfume. You’re thrilled; you’ve worked and hoped for this day!

The Basics of U.S. Copyright for Photographers

When I was in college, I lived for a while in a crappy little rental house next to a cemetery. Neither I nor my roommate, Brad, knew how to cook anything, and we ate bologna sandwiches pretty much all the time. Eventually, someone gave us a cookbook so simple that even a half-starved English major could learn a few basic dishes--the first page actually had step-by-step instructions, with pictures, for making toast in a toaster.