Canon’s 50mm lens lineup is getting crowded… at least that’s what Canon seems to think. According to a fresh rumor, the company has plans to replace the current 50mm f/1.4 USM. But it won’t be replaced by another f/1.4. Instead, Canon might do away with the lens altogether and release a high-end 50mm f/1.8 IS USM instead. Read more…
Photographers commonly place UV filters on the front of their camera lenses in order to protect the glass front element. Aside from preventing dust buildup, the filter also takes the brunt of any impact seen by the front of the lens. If you have to have some glass shatter, you’d rather it be a relatively cheap filter compared to an entire lens, right?
But how easy is it to damage or destroy the front element of a lens? Photographer Richard Choi had the opportunity to find out a few years ago when he found a bricked lens on his hands.
Canon broke new ground in its lens-making this year by bringing image stabilization to non-L wide-angle prime lenses (the widest IS prime was previously the 100mm f/2.8 IS L). There are now three: lenses at the stabilized-wide-angle party: a 24mm and 28mm, announced in February, and a 35mm that was announced just last month.
According to new rumors, Canon will continue to spread its IS technology to non-L and non-telephoto primes next year. One that’s on the way is a replacement to the popular 50mm f/1.4.
Last week we reported on rumors of an upcoming Canon 24-70mm f/4 IS lens. The latest word is that the lens is “coming soon”, and won’t be announced alone. In addition to updating the popular 24-70mm focal range with image stabilization — useful for video recording — Canon may also be planning to announcing a second lens, reportedly an image-stabilized followup to the much-loved Canon 50mm f/1.4.
The Canon 50mm f/1.0 was the fastest SLR lens in production before it was discontinued in 2000 and replaced with the f/1.2. There aren’t too many copies of this lens floating around on the used market, so photographers who want to use the ridiculous aperture it offers must pay a hefty premium in order to purchase one; the lenses commonly sell for two or three times the original retail value.
When reader Bryan Soderlind switched from film to digital a while back, he decided to splurge and go “all the way” by buying a 50mm f/1.0 for a little over $3,000 — a relative bargain. The lens was in “impeccable shape” and was in focus even when using the razor sharp depth of field at f/1.0. Here are some of his thoughts on what it’s like to use the lens, and some sample photos from his shoots.
Canon is reportedly working on a followup to its popular 50mm f/1.4 lens. Canon Rumors reports that it has received tips on the lens being tested in the wild and published on some equipment price lists. Unlike the reasonable ~$370 price tag found on the current version, this new lens will reportedly hit shelves at a price of $849. Hopefully that price is a typo though, or thrifty fifty diehards won’t be upgrading to it anytime soon.
(via Canon Rumors)
Canon’s 50mm f/1.8 Mark II is a terrific lens for its price, but its build quality definitely leaves something to be desired. Do a quick search, and you’ll find legions of broken-hearted Canonites who had their ‘Nifty Fifty’ split into two pieces after accidentally bumping or dropping it. Flickr user tastygiant is one such Canonite, but he subsequently discovered an awesome use for the broken lens:
Being a geek, I figured I could use the broken pieces in the future, so I shelved it and bought a new 50mm 1.8 Canon lens. One day, while taking shots around my apartment, I stumbled across the broken lens again and decided to reverse the “barrel assembly” onto the front of my intact 50mm. Everything was blurry of course, but I noticed if I got very close to an object the detail came into view. After adjusting the aperture to around f5.6, I had a clear image.
It’s important to note that you should switch to Manual focusing and rotate the focusing ring to “infinity”.
Here’s something you’ve probably never seen before: a white “L” version of the cheap Canon 50mm f/1.8 (AKA the “nifty fifty”). No, it’s not an uber-rare and expensive special edition. It’s a custom paint job by Clubsnap forum member nntenzo. After painting the lens with paint mixed from three $1 tubes, he used a laser printer and decal paper to add the lettering and decals back onto the lens. The resulting lens is one that will definitely befuddle any Canonite who happens to catch a glimpse of it… It’s a conversation starter for sure.
50mm f1.8 L (white colour) (via DigitalRev)
Shortly after startup lens maker Noktor went out of business, a company called SLR Magic decided to acquire the brand and continue the Noktor project. Now, the company is planning on launching a 50mm f/0.95 “HyperPrime” lens for the Leica M mount. It’ll be a 6-bit coded lens that’s significantly cheaper than the Noctilux lenses offered by Leica.
(via Steve Huff Photos)
Who says you need a heavy and expensive lens to capture a beautiful shuttle launch photograph from far away? After the Space Shuttle Endeavour blasted off yesterday on its final mission, one of the photographs that went viral was shot from an airplane using an iPhone. Another was this stunning photo made by Trey Ratcliff using a Nikon 50mm prime lens while thousands of photographers around him were holding massive lenses.
Even though I had my Nikon D3X set up on a tripod with my 28-300 lens, I actually shot this picture with my 50mm prime lens on my Nikon D3S! Everything did go according to plan, and I had run through the routine a few times before the launch. The plan was to fire away on my main body during the first 15 seconds or so. At that point, the D3X starts to have bufferring problems, so I switched to my Chewbacca-bandolier D3S. I pulled it up into a vertical orientation and rapid-fired just as the shuttle tore into the clouds. [#]
You can read more about the shot over on his website here.
Image credit: Photograph by Trey Ratcliff and used with permission