The following is my account of the most infuriating, frustrating and insulting photo usage theft I’ve dealt with. After attempting to resolve it with letters, phone calls and lawyers, I’ve decided the most beneficial thing I can do is lay out my experience in a cautionary tale and let people know how this company feels about photography.
Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos' New York headquarters, has personally worked on some of the cooperative's best-known images. A number of his marked-up darkroom prints have appeared online, revealing the enormous amount of attention Inirio gives photos in the darkroom.
If you sell a number of prints of a photograph as a "limited edition," should you be allowed to later reprint that photo in a different size, format, or medium and then sell the new pieces as a new edition? Apparently the US legal system believes the answer is "yes."
A judge has dismissed the lawsuit filed against photographer William Eggleston by art collector Jonathan Sobel, who claimed that Eggleston's decision to sell new prints of old photos hurt the value of the original "limited edition" prints.
My hobby is film photography, which involves collecting interesting cameras, taking photos, printing pictures, and so on. Within this fairly common hobby though I have a particular niche interest, which is tracking down and trying out cameras that feature in film and media.
It was once common for professional and advanced hobbyist photographers to have small but capable darkrooms in their homes. Often tucked away discreetly in what would otherwise be unused spaces in basements and attics. Serious shooters would process their own film, craft their own prints, and store all the chemistry and idiosyncratic accouterment that one needs to control their own analog adventure.
I write about a lot of things here at PetaPixel -- reviews, guides, technical articles, opinion pieces -- but one of my favorite topics to write about is the history of photography. As an avid user and collector of vintage cameras and lenses, I have passionately absorbed as much knowledge about their history as possible over many years. Like studying world history, there is much value in understanding where we came from and what got to us where we are now.
Released in 1971, the Polaroid Big Shot was a funky, green plastic camera that was built for one thing: portraits. The plastic behemoth is simply designed, using a fixed focus 200mm, single-element plastic meniscus lens.
A photographer challenged the well-known AI image generator DALL-E to recreate real-life photos that he had taken on a Leica camera, and the results are incredible, to say the least.
A passport is almost always a necessity when traveling outside your country, and a photograph is required along with identity documents, filling out a form, and paying a fee when applying. The photograph is potentially the most challenging part of the process. The good news is that the photo can be taken and printed at home as long as careful attention is given to the rules.
One of the questions I get most often is, how do I price my art photography. In this article, I will share some advice and tips on things you should keep in mind when determining what you will charge for your fine art photography prints.
The Eastman Kodak Company displayed Coloramas – giant backlit photos 18 feet high and 60 feet long – at Grand Central Terminal in New York City for 40 years starting in the 1950s. The photographer who made 55 of them was Neil Montanus.
Are you looking for new landscapes away from the crowds and the tripod holes of the national parks? Are you seeking a more adventurous and out-of-the-beaten-path experience? If so, how about a visit to America's national monuments?
In 2014, I started my project Applied Metaphysics – Ground Truth on exemplary still life. The goal was to produce very large prints (2 to 9 square meters and more) at a high resolution so that people could look at them very closely.
Why does someone build their own camera? Maybe for technical reasons, usability enhancements, or perhaps personal style and artistic outlook. The raison d'ètre for the experimental camera I made here falls somewhere between all of the above.
I used to work for Nikon cameras. From 1995 through 1999, I was Nikon UK’s Senior Photographic Advisor. My job was basically to be the guy in the building who knew what a camera was for!
Today marks one year to the day that my book went on sale. It’s a very personal project that means a huge amount to me. I wanted to write a post that not only reflects on the past year since the book became available, but also on the project itself. It took a huge amount of work to get to that stage in the first place.
Irving Penn is either the best or second best portrait photographer of all time. Depending on the day, he’s either ahead of or behind Richard Avedon. At least that’s what I think.
Imagine finding a truck full of brand new 35mm film processing machines. That’s what happened two weeks ago, though the reality of what we found has taken a few days of research and a lot of Googling to understand. Let me explain...
My father passed away a month ago, and his birthday was on August 31st. I'm letting that sink in. Death is never easy and for those that have lost a parent, it has a certain significance. The person who has been there your entire life is now gone. There are things that I am now thinking about that hardly, if ever, crossed my mind. The biggest being that I am mortal and I too will meet the same fate some day, and the other, related to photography, is the importance of the photograph.
A common rule of thumb to figure out your maximum shutter speed for sharp stars at night is to divide 500 by your focal length. Sometimes it's called the 600 Rule or the 400 Rule or several other numbers that can be used depending on your sensor size. Unfortunately, it's a a very inaccurate rule today.
Holly Andres is an American fine art and commercial photographer who has been creating dynamic and compelling images for over a decade. She started out shooting mostly fine art photography, but gradually branched into editorial assignments with the New York Times Magazine and many others. She continues to evolve and expand her art. For her fine art work, she is represented by the Robert Mann Gallery (New York City), Robert Koch Gallery (San Francisco), Jackson Fine Art (Atlanta), and Charles A. Harman Fine Art (Portland). For commercial assignments she is represented by Hello Artists.
Online client galleries have been there for some time now, but many photographers either neglect this powerful tool relying on ol’ school DVDs and USB drives for image delivery, or simply are not aware of the options that would suit their particular business.
As a beginner, mostly part-time, photographer I was looking for an affordable photo gallery service to give a try. The main problems I wanted such a tool to solve were: a) deliver images quickly after the shoot; b) impress my clients with a personalized website and thus, make them want to refer me; c) make it easy to share the photos.
Update: The Color Run has responded to our request for comment. Read their side of the story at the bottom.
Update #2: It seems The Color Run and Maxwell Jackson have reached an agreement. You can read the full update at the bottom.
A young Florida college student photographer is receiving an outpouring of support from the photo community over what may turn out to be one of the more ridiculous copyright lawsuits we've ever run across -- a suit in which the Color Run (you know, "The Best, the Biggest...The Happiest 5K on the Planet") is allegedly suing HIM over a photo of his that they used.
Hopefully, you know me for my level-headed and impartial analysis of the photography business. Forget that. Today I’m going to go off on someone who is not only doing a disservice to the industry that he purports to serve, he’s actively working to destroy it. In the words of The Dude (from The Big Lebowski): “This aggression will not stand!”
A British group working to preserve the work of influential 19th-century photographer William Henry Fox Talbot has discovered previously unseen work by the innovator.
A project led by Oxford University's Bodleian Libraries has been working to preserve the largest extant pivate collection of Talbot's work since family members revealed last year that they were working with a New York dealer who could sell key works to private collectors.
Having made it through over 30 years as a commercial photographer and photography teacher, I find it daunting, at this stage in my life and my career, to feel the need to seek advice and assurance from professional peers. But participating in the New England Portfolio Reviews this past weekend turned out to be one of the best things I’ve done for my creative self in a very long time.
Rochester, New York — The cold hits me as soon as I leave the Amtrak station, stepping into a swirl of snow eddies that etch the low streets in black and white.
The terminal sits just outside the city center. In the short car ride into town, one building stands out to me from all the others. It is an impressive beaux arts landmark with five large letters, glowing in red, resting at the top
American photographer Ray K. Metzker has had a long and distinguished career in photography, and is well known for his cityscape and landscape images. Many of his street photographs exhibit what Henri Cartier-Bresson refers to as the "Decisive Moment" -- that moment in which all the subjects and details in a scene come together just perfectly in your viewfinder.
Apparently Nikon has decide to save some trees (and shipping weight) by no longer including user manuals in some of its digital cameras. Since most people likely never touch the manuals anyway, it's not really a problem, but the company's draconian stance towards downloadable instruction manuals has some customers grumbling.
Joseph Holmes is a landscape photographer from California, and a pioneer in fine art print making. Visit his website …