Not everyone was happy with the rise of the snapshot. Professional photographers were repelled by the weird, ungainly, often out-of-focus shots that amateurs produced. “Photography as a fad is well nigh on its last legs,” prayed the art photographer Alfred Stieglitz. Other pundits bemoaned “Kodak fiends,” camera obsessives who carried their device everywhere and were apparently so constantly taking pictures that they would space out and miss their trains.
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