Photographer Thomas Jackson, whose swarm photos we shared earlier this week, has a creative project titled The Robot that “offers a darkly humorous narrataive about a lone robot’s failure to co-exist with the natural world.” It’s a series of photos that brings a cleverly arranged heap of metal to life.
Last week we featured some “sound painting” photographs by Martin Klimas, captured by using a speaker to vibrate paint. Here’s a video tutorial by some Arizona State University Polytechnic students demonstrating how you can do your own “sound painting” photos. They use a thrift store speaker covered with a garbage bag and some Crayola poster paint.
(via ISO 1200)
Here’s a photo essay that documents Magnum photographer Alex Webb‘s exploration of the streets of Chicago. In an interview with Leica, Webb states,
[...] I am not trying to convey messages. I take photographs to affirm reality, not explain reality and that reality often has a high level of ambiguity to it, which is subject to interpretation. So what one viewer discovers in a given image may be very different from what another viewer discovers. This particular photograph seems to suggest to you something about corporate culture, but another viewer might simply be amused by the similarity of be-suited figures and another viewer might find something else. I believe in photographs that have a level of ambiguity, images that work on suggestion, that ask questions rather than provide answers.
(via The Leica Camera Blog)
If you have some unwanted 35mm negatives lying around and need a simple gift idea, you can try your hand at turning them into one-of-a-kind bookmarks. Simply cut out the actual frames from the film strip and replace them with actual photographs to create film strips that you don’t need to hold up to the light to enjoy.
Create a Stylish Bookmark with 35mm Film [Lomography]
The Photo Society has published an interesting article in which Kent Kobersteen, the Director of Photography at National Geographic magazine from 1987 to 2005, shares thoughts on what he looks for in photographers:
[The required] attributes are intellect, passion, maturity and drive.
Reading this, you may say “What about the photography?” Of course any person under consideration must be a great photographer. The National Geographic needs photography that is strong aesthetically and has a sophisticated use of color, photography that is poetic, journalistic, memorable, and comes from unique and intuitive seeing. But, that’s obvious, that’s a given.
All four of these attributes – intellect, passion, maturity, drive — ARE about the photography.
Kobersteen also states that he would choose “a photographer whose eye was not the best, but who worked very hard, rather than the person with the best eye in the world, and who was lazy.”
What it Takes to be a National Geographic Photographer (via APhotoEditor)
Image credit: National Geographic by Jcl
Photo enthusiast Mike Gerdau wanted to play around with bokeh shapes but didn’t want to create a separate “lens cap” for each shape. His solution was to separate the shapes from the cap itself, cutting the shapes into 45x45mm squares that swap in and out of the cap easily. The “slides” can be neatly stored away inside a white plastic Game Boy cartridge case when not in use.
DIY: Circle of Confusion Shape Modifier (via Lifehacker)
Time-lapse photographer Randy Halverson (whose time-lapse of lightning storms we featured last year) is back again with another epic time-lapse film. This one is packed with shots of some of the most beautiful things you can point your camera at in the night sky: the Milky Way, auroras, and shooting stars. It’s composed of thousands of 15-30 second exposures captured with a Canon 5D Mark II and Canon 60D at ISO 1600-6400, f/2.8, and 3 second intervals. Keep your eyes peeled at 53 seconds: you get to see a shooting star with a Persistent Train, which is the ionized gas left behind as the meteor burns up in our atmosphere!
Buzzfeed has published a gallery showing every winning photo from the World Press Photo contest from 1955 to the present. It’s a powerful set of photos that paints a pretty grim picture of humanity.
Every World Press Photo Winner From 1955-2011 (via kottke.org)
If you’re relatively new to Photoshop, you might not know that it’s possible to highlight and/or remove the various options in dropdown menus. All you need to do is play around with the Edit->Menus screen to make your commonly used options more visible and to reduce clutter by hiding options that you’ve never touched in your life.
(via Orms Connect)
Greek silkscreen printer Manolis Angelakis was recently tasked with designing a new set of business cards for close friend and photographer Alexandra Stamopoulou. Given her profession, he decided to create a stylish card that emulates the viewfinder of an old Zenit camera. The simple but effective design was silkscreened onto sheets of transparent vinyl.