This short film, found in Contacts, Volume 1, is a fascinating video in which photographer William Klein takes us beyond his iconic images to discuss the stories revealed in his contact sheets.
The picture is taken at 1/125 of a second. What do you know of a photographer’s work? A hundred pictures? Let’s say 125. That comes out to one second. Let’s say, more like 250 photographs? That would be a rather large body of work. And that would come out to two seconds. The life of a photographer — even of a great photographer, as they say — two seconds.
It’s always awesome listening to well-known photographers talk about their work.
Mario Klingemann created this interactive Arduino-powered Facebook Like button. It doesn’t do anything besides tally how many times it’s been pressed, but with the ubiquity of Facebook, most people will instantly know how to use it. Wouldn’t it be interesting if there was a fully-functional Facebook Like button next to every print in a photo exhibition? The buttons would help publicize the exhibition, and would show what visitors think of the photographs. Perhaps it’s only a matter of time before someone actually does this…
You’ve probably heard of tossing your camera into the air for abstract light painting photos, but what about for actual photos? Wedding photographer Mike Larson shoots group photos from above — with himself in the shot — by throwing a DSLR and fisheye lens into the air and letting the timer trigger the shutter. You can find some examples of photos made using this technique over on Larson’s website.
If you do try your hand at camera toss photos, make sure you have awesome hand-eye coordination and that you’re standing on soft ground (e.g. grass, cotton balls, marshmallows).
Last friday, Dayton Daily News photo editor Larry Price received instructions to lay off half of his photo staff. Rather than follow through with the order, Price — a 35-year veteran photojournalist and winner of two Pulitzer Prizes in photography — decided to sacrifice his own job instead, resigning from the post this past Monday. Ginger Christ of the Dayton BizBlog writes,
In his 35 years as a photojournalist […], Price has seen the industry shrink, watched as newspapers cut their workforce and all but eliminated photography departments in efforts to consolidate and cut costs.
“I’ve watched this happen in newspapers year after year now. I’ve had many, many friends that have been affected, many stellar journalists,” Price said. “These people are my group. They’re my friends. They’re my colleagues. I’ve asked so much of them in the four years I’ve been here. Every time, they’ve stepped up to the plate and delivered. It wasn’t a decision I could make in good conscience.”
Price is also troubled by the fact that newspapers abandon photojournalistic quality when photos don’t help increase profits, saying, “the bottom line simply is not as important as what information can convey to people in helping them make decisions.”
For his project “Cloud Collection“, photographer Rüdiger Nehmzow went about four miles off the ground and photographed clouds through the open door of the plane. With no glass between Nehmzow and the sky to muddy up the shots, the resulting photographs are absolutely stunning. Photos after the break
Flickr introduced a novel privacy feature yesterday called “geofences”, which lets you hide the location data of photos taken in certain locations from the general public. It seems like a great idea, but blogger Thomas Hawk points out that there’s a pretty big loophole in the system:
Although the geotag information is indeed pulled from the flickr photo page, ANYONE can potentially still get your geolocational data simply by downloading the original sized file and looking into the EXIF data.
This means the geofence feature doesn’t actually wipe the geotag information from the photos you upload, but simply prevents the data from being displayed in an easy-to-view format on the Flickr site. If you make the original versions of your photos available for download, the general public can still access the location data found in those. To close the loophole, simply make it so people can’t download your originals.
Here’s a super creative video that attempts to capture 100 years of East London fashion, dance, and music in just 100 seconds. Reminds me of Rick Mereki’s amazing “Move” short that we featured earlier this month, except this video travels through “time” rather than space.
Photographer Kim Pimmel created this amazing abstract time-lapse using a Nikon D90 and Nikkor 60mm macro lens. What you see is ferrofluid traveling between soap bubbles toward a magnet. No video was used — every frame of the video was shot as a still photo.
Flickr introduced an innovative location-based privacy feature today called “geofences“. It’s a way of assigning default privacy settings to certain locations for geotagged photographs. For example, you can assign a geofence with a certain radius around your home, and automatically set those photos’ location data to only be visible to your friends and family. Each user can have up to 10 geofences, and existing photographs are automatically updated to new geofence privacy settings.
Photojournalist João Silva lost his legs to a land mine in Afghanistan at the end of last year, but — after months of intense rehabilitation — returned to work in July, landing a photo on the front page of the New York Times. On August 2nd, Silva visited the Bronx Documentary Center and gave a talk on his thoughts and experiences. Read more…